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THE TRUTH AGAINST THE WORLD

A fresh-air alternative to claustrophobic dystopias.

Two teens thousands of miles apart discover they’re haunted by the same desperate ghost.

On a family visit to a Welsh seaside village, Londoner Gareth discovers the lonely, dead child when his cellphone falls into an ancient burial chamber; she returns it to him only after securing his promise to visit her. In California, Olwen’s great-grandmother, Gee Gee, expresses her dying wish to return to that same Welsh village, her hometown. Olwen—known as Wyn—senses that the beloved Gee Gee she thought she knew is a façade hiding a mystery, one tied to her own haunting. After Gareth finds Wyn’s blog, the teens meet online and realize that each has been contacted by a ghostly girl whose name Wyn bears and whose urgent need is draining them. Her voice and image turn up on Gareth’s phone; Wyn’s dreams are more complex, interwoven with Gee Gee, the child and a strange young man. When Wyn’s family brings Gee Gee to her village and Gareth arranges a visit to his great-grandfather there, the teens meet and—exhausted and disoriented by their intensifying visitations—struggle to solve the riddle and free themselves before Gee Gee’s life ends. Though a reluctance to put characters in harm’s way combines with excessive foreshadowing to rob the plot of suspense, there’s an old-fashioned charm to this gently meandering tale that can’t be denied.

A fresh-air alternative to claustrophobic dystopias. (Ghost story. 11-15)

Pub Date: June 8, 2014

ISBN: 978-0-7387-4058-4

Page Count: 360

Publisher: Flux

Review Posted Online: April 29, 2014

Kirkus Reviews Issue: May 15, 2014

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MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

From the Peculiar Children series , Vol. 1

A trilogy opener both rich and strange, if heavy at the front end.

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 30, 2014

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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