A soothing, uncomplicated meditation on nature’s cycles and letting go.
A child processes loss and embraces renewal when a beloved backyard oak must be removed.
The tree has been a constant companion—whispering in spring, whooshing in summer, cackling and crunching in fall, and whistling in winter. But when the old oak begins creaking ominously, an arborist determines, “It’s time.” The young narrator’s parents nod knowingly, but the little one hasn’t prepared for this goodbye. As a crane dismantles the tree branch by branch, the family presses leaves to preserve memories. After, the yard feels eerily quiet—until weeds sprout between the woodchips “like the start of a new idea.” The family plants a butterfly garden and a sapling, with the protagonist promising to watch over the young tree as the old one once watched over the child. Kurpiel’s narrative is spare and straightforward, leaning heavily on sensory language to convey the tree’s seasonal transformations. The family is rendered warmly in mixed-media illustrations—pencil sketches layered with digital dry media and watercolor brushes. Soft, rounded shapes create a comforting visual rhythm, while warm earth tones and cool blues establish emotional resonance. A standout spread bathes the empty yard in deep blue evening light, fireflies glowing against the ghostly outline of what once was. The compositions showing the tree’s gradual reduction use swirling circles effectively to represent time’s passage. The protagonist is pale-skinned and dark-haired; the family appears to be mixed race.
A soothing, uncomplicated meditation on nature’s cycles and letting go. (Picture book. 4-8)Pub Date: March 17, 2026
ISBN: 9780593697689
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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BOOK REVIEW
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
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