A SCOT IN THE DARK

From the Scandal and Scoundrel series , Vol. 2

When a duke’s forgotten ward embroils herself in a scandal, the duke decides to deal with her himself. That’s easier said than done.

Alec Stuart is a “proud Scotsman and unwilling twenty-first Duke of Warnick,” having inherited the title unexpectedly after a long series of dukes died without issue. He prefers to avoid the aristocracy, staying in Scotland to tend his whiskey distillery and his lands, which is how it escapes his notice that he has inherited a spirited young ward along with the title. Alec doesn’t even know Miss Lillian Hargrove exists until his solicitor informs him that Miss Hargrove has gotten herself thoroughly ruined. When Alec arrives in London, the situation is worse than he thought. Out of sheer loneliness, Lily let herself be taken in by a conceited artist, who's promised to unveil a nude portrait of her in 10 days’ time. The ton is all agog, and Alec must call on friends to help him find an emergency husband for Lily before the painting is unveiled. He doesn’t think anyone is good enough for the beautiful Lily, not even himself. MacLean’s (The Rogue Not Taken, 2015, etc.) signature humor and ingenuity are in evidence throughout this novel, the second in her Scandal and Scoundrel series—such as the 17 dukes who die within a fortnight, causing Alec to inherit the title. She writes love scenes and romantic dialogue with audacity, which sometimes leads her to overwrite a bit, as when she paints Lily’s erstwhile lover as a ridiculously arrogant popinjay who is somehow a talented painter, a gifted actor, and the owner of a theater company—all while partying every night with the English nobility. Even with a few outrageous characters and a far-fetched plot, this novel is so enjoyable that the author can be forgiven for overdoing it here and there.

Highly recommended.

Pub Date: Aug. 30, 2016

ISBN: 978-0-06-237942-9

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: July 5, 2016

Kirkus Reviews Issue: June 15, 2016

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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