by Sarah Manguso ‧ RELEASE DATE: March 3, 2015
Read as either a meditative essay or a revealing confessional poem, this is a thoughtful, reflective look at one talented...
A chronic diarist discovers that there’s a lot to be said for putting your pen down.
There seems be a pattern with Manguso. The more weighty and personal her books get, dealing with everything from her own dread illness (Two Kinds of Decay: A Memoir, 2008) to a friend's suicide (The Guardians: An Elegy, 2012), the shorter they are. Her latest is remarkably brief, with more white space than print, devoted to the seemingly dull topic of why she quit her diary. But the brevity is the point: Where Manguso’s 25-year journal was obsessively detailed, this eulogy doesn’t have a wasted word. She’s a Proustian minimalist on the order of Lydia Davis, both in the way she distills complex thoughts on time and memory into pure essence and in how she examines writing as a means of control. “I didn’t want to lose anything,” Manguso states at the beginning. “That was my main problem. I couldn’t face the end of a day without a record of everything that had ever happened.” The diary eventually became a crutch for survival: “If I allowed myself to drift through undocumented time for more than a day, I’d be swept up, no longer able to remember the purpose of continuing.” Keeping a diary meant imposing a shape or structure on life, a view that changed when motherhood ruptured her own space-time continuum: “I used to exist against the continuity of time. Then I became the baby’s continuity, a background of ongoing time for him to live against.” While Manguso’s thoughts are inward, they work outward—from her life to life itself.
Read as either a meditative essay or a revealing confessional poem, this is a thoughtful, reflective look at one talented writer’s creative evolution.Pub Date: March 3, 2015
ISBN: 978-1555977030
Page Count: 144
Publisher: Graywolf
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Sarah Manguso ; illustrated by Liana Finck
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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