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ALL OUR PRETTY SONGS

From the Metamorphoses Trilogy series , Vol. 1

Haunting, otherworldly and heartbreaking.

“Aurora and I live in a world without fathers,” the unnamed narrator explains at the opening of this lush, spooky contemporary fairy tale.

Instead, the two girls have a passionate sisterhood, formed in childhood and continued long after their mothers—for reasons the girls don’t yet know—stopped speaking to each other. When the girls meet Jack, a spellbindingly moving guitarist, the narrator is shocked and delighted to find he is as entranced by her as she is by him. The cast is racially diverse (the narrator is one of the few central figures who is white), and the narrator’s relationship with Jack never overshadows her other intimate connections: with her mystically inclined mother, Cass; with Aurora’s mother, Maia, too often high on heroin to be an effective parent; with Raoul, the friend from work who serves as a mentor; and most notably, with Aurora, passionate, outgoing, fragile and often in need of the narrator’s care. So vividly rendered is this network of relationships that when Aurora and Jack decide to walk a path the narrator cannot follow, the devastation is palpable. Despite an occasional lapse (it is unclear whether an amulet Cass gives the narrator for protection is on or off during a few relevant scenes), the characters and landscapes come to life through careful detail and precise, poetic language.

Haunting, otherworldly and heartbreaking. (Urban fantasy. 14 & up)

Pub Date: July 30, 2013

ISBN: 978-1-250-04088-6

Page Count: 224

Publisher: St. Martin's

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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