A breathtaking companion volume, fully readable on its own and devastating in the context of its predecessor.

DIRTY WINGS

From the Metamorphoses Trilogy series , Vol. 2

Punk street kid Cass runs away with sheltered pianist Maia in the lyrical stand-alone prequel to All Our Pretty Songs (2013).

The intimate third-person narrative perspective alternates fluidly between the two girls’ voices, as well as between “Now”as the girls take a breathless, speed-fueled road trip down the West Coast—and “Then”as they become friends and Maia decides to leave her stifling, sterile home. Readers of All Our Pretty Songs will know that Cass and Maia retain their close bond as adults, that both have daughters and that Maia, after a tragedy, stays lost in a drugged haze. But these fates are only gently alluded to here. Instead, readers see a skeletal red-eyed Hades figure, grimly recognizable even to readers unfamiliar with Cass and Maia’s futures. He haunts Cass’ dreams, demanding a terrible bargain and waiting with an eerie patience until Cass is vulnerable enough to give him what he asks. The prose is exquisitely crafted, moving effortlessly from dizzying to heartbreaking. Each setting—an exhaustingly filthy punk house, the New York street where Maia’s hermitlike father suddenly comes to life, the Mexican beach town where the girls’ road trip ends—is vibrantly constructed through careful detail and spare but evocative prose.

A breathtaking companion volume, fully readable on its own and devastating in the context of its predecessor. (Urban fantasy. 14-18)

Pub Date: July 15, 2014

ISBN: 978-1-250-04938-4

Page Count: 288

Publisher: St. Martin's Griffin

Review Posted Online: May 4, 2014

Kirkus Reviews Issue: May 15, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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