A breathtaking companion volume, fully readable on its own and devastating in the context of its predecessor.
Punk street kid Cass runs away with sheltered pianist Maia in the lyrical stand-alone prequel to All Our Pretty Songs (2013).
The intimate third-person narrative perspective alternates fluidly between the two girls’ voices, as well as between “Now”—as the girls take a breathless, speed-fueled road trip down the West Coast—and “Then”—as they become friends and Maia decides to leave her stifling, sterile home. Readers of All Our Pretty Songs will know that Cass and Maia retain their close bond as adults, that both have daughters and that Maia, after a tragedy, stays lost in a drugged haze. But these fates are only gently alluded to here. Instead, readers see a skeletal red-eyed Hades figure, grimly recognizable even to readers unfamiliar with Cass and Maia’s futures. He haunts Cass’ dreams, demanding a terrible bargain and waiting with an eerie patience until Cass is vulnerable enough to give him what he asks. The prose is exquisitely crafted, moving effortlessly from dizzying to heartbreaking. Each setting—an exhaustingly filthy punk house, the New York street where Maia’s hermitlike father suddenly comes to life, the Mexican beach town where the girls’ road trip ends—is vibrantly constructed through careful detail and spare but evocative prose.
A breathtaking companion volume, fully readable on its own and devastating in the context of its predecessor. (Urban fantasy. 14-18)Pub Date: July 15, 2014
ISBN: 978-1-250-04938-4
Page Count: 288
Publisher: St. Martin's Griffin
Review Posted Online: May 3, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A thoughtful and thrilling story of life, death, and meaning.
Two teens train to be society-sanctioned killers in an otherwise immortal world.
On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty. The vivid and often violent action unfolds slowly, anchored in complex worldbuilding and propelled by political machinations and existential musings. Scythes’ journal entries accompany Rowan’s and Citra’s dual and dueling narratives, revealing both personal struggles and societal problems. The futuristic post–2042 MidMerican world is both dystopia and utopia, free of fear, unexpected death, and blatant racism—multiracial main characters discuss their diverse ethnic percentages rather than purity—but also lacking creativity, emotion, and purpose. Elegant and elegiac, brooding but imbued with gallows humor, Shusterman’s dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions.
A thoughtful and thrilling story of life, death, and meaning. (Science fiction. 14 & up)Pub Date: Nov. 29, 2016
ISBN: 978-1-4424-7242-6
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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