As is often the question when reframing beloved fictional characters: Does it feel true? Readers will have to decide for...
An imagined life of Marilla Cuthbert, of Green Gables fame.
There’s a line from Anne of Green Gables that author McCoy says has always stayed with her: When Marilla points out their neighbor John Blythe (father of Anne's beloved Gilbert) and says “We used to be real good friends, he and I. People called him my beau," Anne cries, “Oh, Marilla—and what happened?" Fascinated by the question, McCoy answers it here with a rich, historically intense life for Marilla, beginning when she is 13; her mother is pregnant and her Aunt Izzy comes to help. The Cuthberts are quiet and retiring, so the arrival of Izzy—who fled Prince Edward Island to become a successful dressmaker in the city—gently pushes Marilla out of her isolation. Together they join a newly formed sewing circle in Avonlea, where Marilla meets her lifelong friend-to-be, Rachel, and through her meets John Blythe (though this is a bit of a stretch, because as a close longtime neighbor, wouldn’t Marilla already know him?). Their attraction is immediate, but on the day John expresses his interest toward her, her mother and the baby die in childbirth, casting a shadow of guilt and pain over the experience. Courting is put on hold as the family regroups and Marilla feels obligated to take care of her father and older brother, Matthew, but a charitable visit to an orphanage in nearby Hopetown brings long-simmering national tensions home to Marilla, leading to a new direction in her life and an argument with John she can’t seem to overcome. In fleshing out Marilla’s story, McCoy weaves in fascinating historical details of Canada’s religious and political tensions of the mid-19th century as well as the devastating legacy of slavery and an interesting contemplation of what might happen to survivors of the Underground Railroad once they hit Canada in the dangerous days before the American Civil War.
As is often the question when reframing beloved fictional characters: Does it feel true? Readers will have to decide for themselves, but fashioning Marilla as a flawed hero of her times is a lovely tribute.Pub Date: Oct. 23, 2018
ISBN: 978-0-06-269771-4
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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