Menkedick's driving question is to figure out “whether returning home signifies growing up or giving up or both—and if it’s...
An account of the author’s transition from wandering spirit to anchored, responsible mother.
The idea of taking a gap year after high school, before entering college, is fairly recent but also increasingly common for students, many of whom take time to travel. Engaging in that most liberal of educations ostensibly provides a rounding to the education received from textbooks and in classrooms. Some students find it suits them so well that a year stretches into two, or, in the case of Vela magazine founder Menkedick, nearly a decade. After receiving a degree in the history of science, the author traveled around the world, teaching English as a second language, working odd jobs, and always seeking new opportunities for travel, “the lines of my journeys tentative, then picking up speed, arching across the planet, pulsing on obscure islands.” Drawing from the experiences and writings of Joan Didion, Susan Sontag, Louise Erdrich, Anne Enright, and other writers, Menkedick erases and redraws parts of herself as she experiences greater self-understanding, weighing values and goals against those of others in her family. She finds that her writing, previously fueled by travel, comes to serve as a stand-in for traveling itself. The natural world around her in rural Ohio provided significant opportunities for reassessment, and she embraced the entirely different journey of pregnancy and motherhood. Menkedick's writing is insightful and evocative, drawing on all the senses, and readers will be impressed by the sense of place in her writing, even while she's laboring to discern the meaning in her experience.
Menkedick's driving question is to figure out “whether returning home signifies growing up or giving up or both—and if it’s both, what exactly we want to give up in exchange for what.” The magic of this book is that she makes so personal a question so easily accessible to readers.Pub Date: May 2, 2017
ISBN: 978-1-101-87141-6
Page Count: 272
Publisher: Pantheon
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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