A poignant examination.
A pointillist exploration of the panorama.
Unfolding across a series of one-page vignettes that flow like a professor’s slide projector, Minor (Slim Confessions: The Universe as a Spider or Spit, 2021, etc.) coordinates a masterful meditation on memory and seeing. Playfully narrated in a detached third-person perspective, the book loosely follows an academic as she delivers a lecture on the “History of the Panorama.” Minor balances personal memories with digressions about historical wonders—all of which deftly contribute to readers’ understanding of how we see and process points of interest in our lives. In 1952, while on top of the Eiffel Tower, Roland Barthes pondered the difficulty of processing a panoramic view: “the experience of seeing a landscape from a great height,” Minor elaborates, “rolled out like a carpet, would always be a type of seeing broken down into smaller moments.” It’s quickly apparent that the narrative’s choppiness is meant to exemplify Barthes’ observation, and it’s the perfect approach for a “jumpy professor known for tangents.” Like Olga Tokarczuk in Flights (2007), Minor writes like she’s building a cabinet of curiosities: Each seemingly disparate fragment buzzes with profundity, and, together, they form a dizzying whole. Visions of the Bayeux Tapestry, a 225-foot illustrated textile from the year 1100, recur throughout the book, alongside digressions on Eadweard Muybridge, 19th-century balloonists, and other esoterica. Much of the book circles around René Magritte’s painting La durée poignardée (1938), which features a train emerging from a fireplace. A head-spinning probe into the title’s difficult translation further unlocks the book’s array of moments: Magritte disdained the commonly used “Time Transfixed,” and Minor sinks into the meaning of durée (which alludes to temporal limitations) and poignardée, which translates definitively to “stabbed with a dagger.” This revelation profoundly recodes the book’s single-page moments and proposes a vision of history as a series of stabs in time. “The gaze La durée poignardée returns,” Minor writes, “is a carousel of blades; a quality of time pierced by the train, by the old clock’s sharpened hands.”
A poignant examination.Pub Date: July 21, 2026
ISBN: 9780300284331
Page Count: 176
Publisher: Yale Univ.
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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