Moss directs her keen and graceful sensibility toward modern-day Ireland and 1960s Italy with equal aplomb.
An elderly British emigrant in the west of Ireland narrates the birth of her nephew more than 50 years earlier.
Edith, a woman in her early 70s, has made an enviable life for herself in County Clare. She lives alone in a cottage there, financially secure after getting divorced and selling property near Dublin. She has a lover and a cadre of friends, including Méabh, a local with whom Edith has found a deep rapport. And she’s found an even deeper rapport with Ireland itself, though she hails from a farm in Derbyshire in the north of England, raised by her farmer father and her “glamorous” French Jewish mother, whose own parents and sister were sent to Belsen during the war. Edith’s status as an outsider in Ireland means she has “learnt, as immigrants do…by keeping quiet, standing back, observing.” This sense of life on the periphery also connects her in memory to her past when, on the brink of attending Oxford, a 17-year-old Edith is sent to stay at a villa near Lake Como with her older sister, a ballerina. Elegant and cosmopolitan like their mother, Lydia is everything cerebral Edith feels she isn’t. Lydia is also eight months pregnant and opaque about the baby’s paternity, determined to give the baby up for adoption and return to her demanding life as a dancer. Moss switches back and forth between Edith’s present, told in close third person, and the past, told in first person and addressed to the baby that Edith and her sister await. Through these parallel narratives, and with her characteristically sinuous style, Moss is able to explore the idea of belonging: What does it mean to belong to a place? To a lineage? A family? A home?
Moss directs her keen and graceful sensibility toward modern-day Ireland and 1960s Italy with equal aplomb.Pub Date: Sept. 9, 2025
ISBN: 9780374609016
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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