In this character-driven intergenerational story, Royce Peterson and his single mother have recently moved from Nova Scotia to British Columbia to help care for Arthur, Royce’s 95-year-old grandfather and one of the greatest cellists of the 20th century. After the curmudgeon chases off every aide, the teen is enlisted to watch his grandfather. At first the homesick, friendless and mono-recovering teen and his homebound, rude and crude grandfather are at odds, but then Royce gains new appreciation for Arthur—he caroused with Gloria Vanderbilt and Picasso, traveled the world, loved and lost loves—and Arthur begins to appreciate life again. But just as the pair begins to respect each other, Arthur suffers a series of debilitating strokes and asks Royce to end his life. Inspired by her experience caring for her aged father, Harvey offers a realistic view of the aging process, the difficult decisions left to loved ones and the need for friends and family. Sophisticated readers and fans of Joan Bauer’s Rules of the Road (1998) or Louis Sachar's The Cardturner (2010) will enjoy the grandfather-grandson banter and tenderness. (Fiction. 13 & up)
Pub Date: Oct. 1, 2010
ISBN: 978-1-55146-226-2
Page Count: 224
Publisher: Orca
Review Posted Online: Aug. 31, 2010
Kirkus Reviews Issue: Sept. 15, 2010
Two Rio Grande Valley high schoolers flirt with cutting out early but find reasons to finish school in this purposeful but intense tale. For Beto, it’s a combination of pride, disinterest in school and a clash with his caring but harsh father that sends him stalking away to spend the night in a Dumpster. For Beto's longtime friend Jessy, it’s a strong desire to be an artist, plus the strain of hearing her father beating her mother and knowing that her turn will be coming up one of these nights, that drives her to head for the bus to San Antonio. Using a mix of tenses and all three persons, Saldaña lays out his characters’ thoughts and emotional landscapes in broad strokes—creating a third angle of view by adding Beto’s little brother Roelito, who works his nalgas off in school but shows early signs of an ominous anger, as another narrative voice. The action takes place over the course of a little more than 12 hours, neatly capturing the spontaneity of teen impulses. Teen readers chafing at the domestic bit will find food for thought here. (Fiction. YA)
Pub Date: Oct. 30, 2010
ISBN: 978-1-55885-607-3
Page Count: 112
Publisher: Arte Público
Review Posted Online: Aug. 31, 2010
Kirkus Reviews Issue: Sept. 15, 2010
“Death is a period / at the end of a sentence,” concludes Annaleah, the 16-year-old protagonist of Schutz’s captivating fictional follow-up to her verse memoir (I Don’t Want To Be Crazy, 2006). And much like the resolute finality fixed in that tiny dot, Annaleah spends a great deal of this free-verse novel stuck contemplating the harsh reality that her sometime boyfriend, Brian—a seemingly healthy, dark-haired, cloudy-blue–eyed 17-year-old—has just dropped dead on the basketball court. Reeling from both physical loss and lack of closure to the meaning of their clandestine relationship, Annaleah finds herself routinely visiting and addressing the deceased Brian, until a chance graveside encounter yields advice that finally begins to hit home: “Nothing grows here,” says Brian’s grandmother, “besides grass.” At first blush appearing to pull out all the melodramatic stops in classic teen fashion, these refreshingly spare lines tackle tough relational issues—intimacy, risk, abandonment—with aplomb, making for a moving tale that also effectively shows teens how life can go on. (Fiction/poetry. 14 & up)
Pub Date: Oct. 1, 2010
ISBN: 970-0-545-16911-0
Page Count: 304
Publisher: PUSH/Scholastic
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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