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THE MURDER DANCE

A fascinating history is folded into a spectral mystery.

A neglected Elizabethan manor house harbors a horrific history of bacchanalian excess—and ritualistic homicide.

Once he gets over being gobsmacked by the news that he’s inherited The Tabor, a "house that no one in [his] family seemed ever to have seen, and that most of them said was only a legend," Quentin Rivers’ second thought is how to break this news to his delicate cousin, Zillah, whom he’s conscientiously protected since both were orphaned decades ago. Zillah has secretly chafed under Quentin’s strict protection and jealousy and has banked her future on the promise of inheriting The Tabor in order to escape him. She also knows the dark history of the house, which she desperately hopes Quentin never learns. Enter music researcher Phineas Fox, whose girlfriend, publicist Arabella Tallis, Quentin has asked to advise him on his plan to turn The Tabor into a restaurant and tourist attraction. In short order, Phin has discovered ominous legends surrounding The Tabor involving something called the Murder Dance. As in her previous Phineas Fox novels, Rayne interweaves narratives from the past with the contemporary plot. The diary of the charismatic seducer Greenberry and the journal of voluptuous Rosalind Rivers, whose portrait still adorns The Tabor—both written around 1600—nicely counterpoint the affectionate banter and genuine chemistry of Phin and Arabella. References to Chaucer, Dickens, Shakespeare, etc. enliven the narrative. The unpredictability of the eerie, waiflike Zillah adds an additional layer of suspense.

A fascinating history is folded into a spectral mystery.

Pub Date: Jan. 4, 2022

ISBN: 978-0-7278-5012-6

Page Count: 256

Publisher: Severn House

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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NIGHTSHADE

As the prosecutor sadly observes: “All this because of a dead buffalo.”

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  • New York Times Bestseller

Idyllic Catalina Island turns out to be just as crime infested as the rest of Los Angeles County in the latest series launch by the creator of Harry Bosch, Renée Ballard, and the Lincoln Lawyer.

Det. Sgt. Stilwell has been bounced off the county homicide squad and rusticized to Catalina, where the exclusive Black Marlin Club won’t admit even four-term Avalon Mayor Doug Allen to full membership and the most serious infraction seems to be the killing and cutting up of a buffalo, presumably by Henry Gaston, who operates Island Mystery Tours when he’s not threatening endangered species. All that changes with the discovery of a body sunk in the surrounding waters. The corpse, most recognizable by its streak of purple hair, is that of Leigh-Anne Moss, a Black Marlin server recently fired for fraternizing with members and guests she sees as potential sugar daddies. Stilwell is sufficiently invested in her murder to compete vigorously over jurisdiction with Rex Ahearn, the LA County homicide detective who kept his job when Stilwell lost his. Their rivalry, fueled by mutual contempt, is only the first hint that Stilwell will end up fighting his counterparts in law enforcement and local government at least as hard as he fights crooks like hit man Merris Spivak and Oscar “Baby Head” Terranova, Henry’s boss, who comes under sharper scrutiny when Henry disappears and ends up dead himself. Connelly handles his hero’s obligatory romance with assistant harbormaster Tash Dano and his increasingly wary alliance with assistant D.A. Monika Juarez with equal professionalism, and if the wrap-up leaves some loose ends dangling, well, that’s what franchises are for.

As the prosecutor sadly observes: “All this because of a dead buffalo.”

Pub Date: May 20, 2025

ISBN: 9780316588485

Page Count: 352

Publisher: Little, Brown

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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