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THE MURDERER INSIDE THE MIRROR

A playful puzzle with an elegant veneer and abundant twists.

The missing piece of a masterful stage play spawns an abundance of mayhem, both mortal and supernatural.

Rayne’s intricate triple-decker thriller begins in 1908 with the sprawling Fitzglen clan, whose members are equally adept at theatrical production and sublime thievery. Colorful old Great Uncle Montague has recently died, and a family meeting focuses on both funeral arrangements and future felonious plans. Together, these drive a search of Montague’s stately but run-down home in Notting Hill, where his heirs find the manuscript of an unproduced play written by renowned Irish dramatist Phelan Rafferty. Could Montague’s apparent relationship with the late playwright be leveraged for a major financial score? A snag in the plan comes in the person of Rafferty’s daughter, Ethne, who likes to avoid the limelight. The plot literally thickens with the discovery that the play has a missing or “hidden scene.” When news of the play gets out, Ethne is besieged with offers to produce. Complementing and fueling this jaunty plot are two others with roots in different centuries. Back in the 1700s, Seamus Rafferty, Phelan’s ancestor and something of a literary detective, discovers letters from yet two centuries earlier that are the source of the play in question: a darker tale of forbidden love, murder, and a desperate coverup. Rayne’s large, engaging cast of charismatic charlatans seems poised to reach beyond this second installment in the Theatre of Thieves series for still more suspenseful adventures.

A playful puzzle with an elegant veneer and abundant twists.

Pub Date: June 4, 2024

ISBN: 9781448310951

Page Count: 288

Publisher: Severn House

Review Posted Online: April 17, 2024

Kirkus Reviews Issue: May 15, 2024

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SALTWATER

A feisty storm of Greek tragedy headlined by three very modern women.

On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.

When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.

A feisty storm of Greek tragedy headlined by three very modern women.

Pub Date: March 25, 2025

ISBN: 9780593875551

Page Count: 336

Publisher: Ballantine

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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HOPE RISES

Filled with action, violence, and more twists than a bag of pretzels.

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Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.

Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.

Filled with action, violence, and more twists than a bag of pretzels.

Pub Date: April 14, 2026

ISBN: 9781538758021

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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