A relentlessly original look at what it means to exist in a female body.
A girl born with an unusual disfigurement navigates the loneliness and trauma caused by her physical difference in this surreal first novel.
Cassie comes from a long line of women born with a knotted torso. These knots aren’t small bulges, like a knotted muscle. “Picture,” Cassie tells us, “three women with their torsos twisted like thick pieces of rope with a single hitch in the center.” At school, Cassie is tormented by her classmates; her only friend, Sophia, runs hot and cold with her affections, and Cassie’s crush, Jarred, finds her both attractive and repulsive. At home, things are not much better. Each day Cassie’s dad and brother go off to the nearby Meat Quarry, tearing raw meat from vast cavern walls and selling it at the market when demand is strong. Cassie’s mother is reaching the age when her knot begins to cause her severe physical pain; she turns her ferocious attention on Cassie’s appearance, encouraging her daughter to slim down by packing her rocks for lunch. When an act of violence shatters whatever uneasy peace Cassie has made with her own body, she must spend the rest of her life dealing with the dark aftermath. Etter, who has one previous collection of short fiction (Tongue Party, 2011), structures this book in fragments, alternating the story of Cassie’s physical struggles with sections called “Vision,” in which Cassie imagines an alternate life for herself. The surreality highlights the unbearably visceral way Cassie sees the world, whether she’s helping her father harvest meat with her bare hands from the “red wetness” of the quarry, wandering through fields of throats, or having electric eels applied to her abdomen in the futile hope of becoming normal.
A relentlessly original look at what it means to exist in a female body.Pub Date: July 16, 2019
ISBN: 978-1-937512-81-1
Page Count: 284
Publisher: Two Dollar Radio
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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