Schulman offers, with mixed success, a sprawling exploration of New York nostalgia, police brutality, addiction memoir, and...

MAGGIE TERRY

An ex-cop and ex-junkie tries to turn her life around and, in the process, stumbles into investigating a murder.

Maggie Terry has hit rock bottom. She’s just out of rehab; her ex-girlfriend and their daughter are long gone. She’s starting a new job in a law office after a beloved career with the NYPD went up in flames. And worst of all, Donald Trump’s been elected president. On the first day of Maggie’s new gig, famous actress Lucy Horne visits the attorney Maggie works for and asks his office to discreetly investigate the murder of a fellow thespian—she points them toward a potential suspect, Steven Brinkley, a famous novelist. But Maggie’s struggling to hold it together, bouncing from Narcotics Anonymous meetings to spying on her ex to roaming the city, struggling to understand what’s happened to it—and the country—in the years she’s been distracted by addiction. Will she be able to stay sober? Work successfully with her new professional partner? Win back her family? And, on top of it all, catch a killer? Schulman (The Cosmopolitans, 2016, etc.) has written a free-wheeling novel that must surely be one of the first to juxtapose Trump-era politics with whodunit, and Maggie’s political ramblings, about everything from Black Lives Matter to gentrification, are as central to the novel as the case at its heart. But even though most of Schulman's readers will likely agree with the politics here, Maggie still seems more a platform than a protagonist; her character never quite coheres. After all, how realistic is a 21st-century New Yorker who doesn’t own a cellphone or know how to use the internet?

Schulman offers, with mixed success, a sprawling exploration of New York nostalgia, police brutality, addiction memoir, and queer love, with a mystery as the cherry on top.

Pub Date: Sept. 11, 2018

ISBN: 978-1-936932-39-9

Page Count: 280

Publisher: Feminist Press

Review Posted Online: July 2, 2018

Kirkus Reviews Issue: July 15, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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