A poignant, honest, and deeply engaging work.
A young woman is apprehensive about starting the school year after her two closest friends move to a different school.
Introverted, talented, and filled with self-doubt, Winifred is the focus of this simply drawn story; uncluttered panels and an appealing, muted color scheme let her introspective narration take center stage. She loves drawing and photography, gets middling grades in some of her classes, and is self-conscious about her weight—to the point that she has begun to eat foods she knows make her sick (she is lactose intolerant) as a sort of self-punishment. Set in the Portland, Maine, area in the early 2000s, the storyline follows Winifred as she makes new friends: She becomes especially close to April, who also has an eating disorder and whose wealthy parents are emotionally absent, and Oscar, who struggles with depression. Winifred and Oscar work together on a zine that is featured in its entirety in four parts. Initially, Winifred thinks she may be interested in Oscar, but she later realizes she is really attracted to a girl named Tilly. Set in an era when landline phones were still in use, the story explores sexuality, mental health, and the messiness that goes with understanding of self in ways that will resonate with contemporary readers. Varied visual perspectives, clean linework, and easy-to-read speech bubbles contribute to the pleasurable reading experience. Winifred and April read as White; Oscar and Tilly have brown skin.
A poignant, honest, and deeply engaging work. (Graphic fiction. 12-18)Pub Date: Feb. 8, 2022
ISBN: 978-1-250-29722-8
Page Count: 352
Publisher: First Second
Review Posted Online: Oct. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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