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THE GREATEST THING

A poignant, honest, and deeply engaging work.

A young woman is apprehensive about starting the school year after her two closest friends move to a different school.

Introverted, talented, and filled with self-doubt, Winifred is the focus of this simply drawn story; uncluttered panels and an appealing, muted color scheme let her introspective narration take center stage. She loves drawing and photography, gets middling grades in some of her classes, and is self-conscious about her weight—to the point that she has begun to eat foods she knows make her sick (she is lactose intolerant) as a sort of self-punishment. Set in the Portland, Maine, area in the early 2000s, the storyline follows Winifred as she makes new friends: She becomes especially close to April, who also has an eating disorder and whose wealthy parents are emotionally absent, and Oscar, who struggles with depression. Winifred and Oscar work together on a zine that is featured in its entirety in four parts. Initially, Winifred thinks she may be interested in Oscar, but she later realizes she is really attracted to a girl named Tilly. Set in an era when landline phones were still in use, the story explores sexuality, mental health, and the messiness that goes with understanding of self in ways that will resonate with contemporary readers. Varied visual perspectives, clean linework, and easy-to-read speech bubbles contribute to the pleasurable reading experience. Winifred and April read as White; Oscar and Tilly have brown skin.

A poignant, honest, and deeply engaging work. (Graphic fiction. 12-18)

Pub Date: Feb. 8, 2022

ISBN: 978-1-250-29722-8

Page Count: 352

Publisher: First Second

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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