Part Fight Club, part feminist manifesto, an offbeat and genre-bending novel that aims high—and delivers.

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DIETLAND

Hilarious, surreal, and bracingly original, Walker’s ambitious debut avoids moralistic traps to achieve something rarer: a genuinely subversive novel that’s also serious fun.

At just over 300 pounds, Plum Kettle is waiting for her real life to start: she’ll be a writer. She’ll be loved. She’ll be thin. In the meantime, she spends her days ghostwriting advice to distraught teenage girls on behalf of a popular teen magazine (“Dear Kitty, I have stretch marks on my boobs, please help”), meticulously counting calories (“turkey lasagna (230)”), and fantasizing about life after weight-loss surgery. But when a mysterious young woman in Technicolor tights starts following her, Plum finds herself drawn into an underground feminist community of radical women who refuse to bow to oppressive societal standards. Under the tutelage of Verena Baptist, anti-diet crusader and heiress to the Baptist diet fortune (a diet with which Plum is intimately familiar), Plum undertakes a far more daring—and more dangerous—five-step plan: to live as her true self now. Meanwhile, a violent guerrilla group, known only as “Jennifer,” has emerged, committing acts of vigilante justice against misogynists. As her surgery date nears and Jennifer’s acts grow increasingly drastic, Plum finds she’s at the center of what can only be described as a literal feminist conspiracy—and she’s transforming into a version of herself she never knew existed. But while it would be easy for the book to devolve into a tired parable about the virtues of loving yourself just the way you are, Walker’s sharp eye and dry humor push it away from empty platitudes and toward deeper and more challenging turf. Ultimately, for all the unsettling pleasure of Walker’s splashier scenarios—and there are many—it’s Plum’s achingly real inner life that gives the novel its arresting emotional weight.

Part Fight Club, part feminist manifesto, an offbeat and genre-bending novel that aims high—and delivers.

Pub Date: May 26, 2015

ISBN: 978-0-544-37343-3

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 5, 2015

Kirkus Reviews Issue: March 15, 2015

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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