Part Fight Club, part feminist manifesto, an offbeat and genre-bending novel that aims high—and delivers.

DIETLAND

Hilarious, surreal, and bracingly original, Walker’s ambitious debut avoids moralistic traps to achieve something rarer: a genuinely subversive novel that’s also serious fun.

At just over 300 pounds, Plum Kettle is waiting for her real life to start: she’ll be a writer. She’ll be loved. She’ll be thin. In the meantime, she spends her days ghostwriting advice to distraught teenage girls on behalf of a popular teen magazine (“Dear Kitty, I have stretch marks on my boobs, please help”), meticulously counting calories (“turkey lasagna (230)”), and fantasizing about life after weight-loss surgery. But when a mysterious young woman in Technicolor tights starts following her, Plum finds herself drawn into an underground feminist community of radical women who refuse to bow to oppressive societal standards. Under the tutelage of Verena Baptist, anti-diet crusader and heiress to the Baptist diet fortune (a diet with which Plum is intimately familiar), Plum undertakes a far more daring—and more dangerous—five-step plan: to live as her true self now. Meanwhile, a violent guerrilla group, known only as “Jennifer,” has emerged, committing acts of vigilante justice against misogynists. As her surgery date nears and Jennifer’s acts grow increasingly drastic, Plum finds she’s at the center of what can only be described as a literal feminist conspiracy—and she’s transforming into a version of herself she never knew existed. But while it would be easy for the book to devolve into a tired parable about the virtues of loving yourself just the way you are, Walker’s sharp eye and dry humor push it away from empty platitudes and toward deeper and more challenging turf. Ultimately, for all the unsettling pleasure of Walker’s splashier scenarios—and there are many—it’s Plum’s achingly real inner life that gives the novel its arresting emotional weight.

Part Fight Club, part feminist manifesto, an offbeat and genre-bending novel that aims high—and delivers.

Pub Date: May 26, 2015

ISBN: 978-0-544-37343-3

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 5, 2015

Kirkus Reviews Issue: March 15, 2015

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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