Richard’s inclination to favor the one-percenters’ perspectives may leave readers craving more of the wicked socialite...
An Everyman detective is asked to solve a murder in a wealthy community in which ample motives and abundant resources make everyone a suspect.
Caroline Campbell wishes to celebrate her husband’s 65th birthday in the low-key manner dictated by her breeding. Ostentatious announcements are for other people. So Caro invites several of her and John E.’s closest friends for a weekend at their rural Pennsylvania getaway, Bucolia Farm. As author Richard (Naughty Nana, 2013) shows the guests receiving the engraved invitations, each of the eponymous one-percenters gives clues about what readers may grow to revile about them: greed, pretension, lust. When the guests are assembled, it appears that most are united in their dislike of one of their own. Preston Phillips, who’s earned his invitation as the hostess’s first cousin, is as much a draw to partygoers as he is a repellant. Some have come to Bucolia just to settle a score with Preston. Marshall and Julia Winthrop have been on the wrong side of Preston’s shady business dealings. Vicki and Leon Spiller seem to blame Preston for the death of their teenage son many years ago. For other attendees, feelings about Preston are more mixed. His former fiancee, Margo, whom he left at the altar years ago, finds herself almost willing to make amends. When Preston doesn’t make it through the celebration weekend alive, Detective Oliver Parrott, who takes charge of the case, is so struck by the partygoers’ consensual impressions of the selfish businessman that he realizes the case may be more about who didn’t kill Preston than who did.
Richard’s inclination to favor the one-percenters’ perspectives may leave readers craving more of the wicked socialite skewing that’s employed only intermittently in her adult mystery debut.Pub Date: Feb. 17, 2018
ISBN: 978-1-62694-771-9
Page Count: 360
Publisher: Black Opal
Review Posted Online: Dec. 12, 2017
Kirkus Reviews Issue: Dec. 15, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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