Two teens find the 1969 Woodstock music festival a life-changing event.
Michael, 18, knows what he doesn’t want—to go to college or be drafted to fight in Vietnam—it’s what he wants that confuses him, and would-be doctor Cora, 17, ponders transgressing cultural expectations for girls. Overcoming their inauspicious meeting in the medical tent, the two are drawn together—along with plenty of baggage. Michael drags his feet on breaking up with his hypercritical girlfriend. Cora longs to get over paternalistic Ned, who’s broken up with her. Michael’s passionate about music but feels like a slacker. Country girl Cora, unlike her brothers, has a nightly curfew and feels torn between her conservative father—proud veteran of two wars—and her anti-war siblings, one fighting in Vietnam. Not all that goes down is benign, but this is no cautionary fable. Sex, drugs, and rock ’n’ roll unapologetically prevail amid the muddy chaos, where strangers feed one another, concertgoers stand in line for hours to use the payphone, and iconic musicians play generational anthems. Against a turbulent backdrop of war, divisive social change, and awful weather, half a million people celebrated peace, love, and music together. Woodstock remains a resonant cultural marker, documenting the brief triumph of hope over experience, and Tash takes ample advantage of the moment.
A positive portrait of a much-maligned era, this optimistic, exuberant tale is recommended for readers who’ve wondered why the ’60s were so great. (Historical fiction. 12-18)Pub Date: May 19, 2015
ISBN: 978-1-4814-3931-2
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: March 3, 2015
Kirkus Reviews Issue: March 15, 2015
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A romance with solid queer representation set against the backdrop of an Alabama Christian school.
Chloe Green is the only one who sees through Shara Wheeler’s goody-two-shoes act, and now that Shara’s pulled a disappearing act right before being crowned prom queen, she makes it her business to find her. This means teaming up with unlikely allies like Smith Parker, Shara’s jock boyfriend, and Rory Heron, the brooding boy next door, both in love with Shara, just as Chloe claims she is not. What brings the trio together is a series of notes Shara has left them, along with the awkward fact that she kissed all three of them before vanishing. McQuiston’s YA debut starts off as a fun page-turner with a rich cast of queer characters but ultimately disappoints with its predictable plot twists and protagonists whose journeys feel lackluster. In a story that uplifts the importance of friendship and found family, the main character’s tunnel vision and indifference toward her friends’ problems make for an ending that doesn’t feel earned. Rather than coming across as a complicated but earnest love interest, Shara feels superficial and narcissistic, raising the question of why so many people drop everything to pursue her. Shara and Chloe are White; Rory has a White mom and Black dad, and Smith is described as having dark brown skin. Bisexual Chloe has two moms.
An engaging, fast-paced story let down by character development. (author’s note) (Romance. 14-18)Pub Date: May 3, 2022
ISBN: 978-1-250-24445-1
Page Count: 368
Publisher: Wednesday Books
Review Posted Online: Feb. 9, 2022
Kirkus Reviews Issue: March 1, 2022
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
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A dystopic thriller joins the crowded shelves but doesn't distinguish itself.
Juliette was torn from her home and thrown into an asylum by The Reestablishment, a militaristic regime in control since an environmental catastrophe left society in ruins. Juliette’s journal holds her tortured thoughts in an attempt to repress memories of the horrific act that landed her in a cell. Mysteriously, Juliette’s touch kills. After months of isolation, her captors suddenly give her a cellmate—Adam, a drop-dead gorgeous guy. Adam, it turns out, is immune to her deadly touch. Unfortunately, he’s a soldier under orders from Warner, a power-hungry 19-year-old. But Adam belongs to a resistance movement; he helps Juliette escape to their stronghold, where she finds that she’s not the only one with superhuman abilities. The ending falls flat as the plot devolves into comic-book territory. Fast-paced action scenes convey imminent danger vividly, but there’s little sense of a broader world here. Overreliance on metaphor to express Juliette’s jaw-dropping surprise wears thin: “My mouth is sitting on my kneecaps. My eyebrows are dangling from the ceiling.” For all of her independence and superpowers, Juliette never moves beyond her role as a pawn in someone else’s schemes.
Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre. (Science fiction. 12 & up)Pub Date: Nov. 15, 2011
ISBN: 978-0-06-208548-1
Page Count: 352
Publisher: HarperTeen
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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