A positive portrait of a much-maligned era, this optimistic, exuberant tale is recommended for readers who’ve wondered why...
Two teens find the 1969 Woodstock music festival a life-changing event.
Michael, 18, knows what he doesn’t want—to go to college or be drafted to fight in Vietnam—it’s what he wants that confuses him, and would-be doctor Cora, 17, ponders transgressing cultural expectations for girls. Overcoming their inauspicious meeting in the medical tent, the two are drawn together—along with plenty of baggage. Michael drags his feet on breaking up with his hypercritical girlfriend. Cora longs to get over paternalistic Ned, who’s broken up with her. Michael’s passionate about music but feels like a slacker. Country girl Cora, unlike her brothers, has a nightly curfew and feels torn between her conservative father—proud veteran of two wars—and her anti-war siblings, one fighting in Vietnam. Not all that goes down is benign, but this is no cautionary fable. Sex, drugs, and rock ’n’ roll unapologetically prevail amid the muddy chaos, where strangers feed one another, concertgoers stand in line for hours to use the payphone, and iconic musicians play generational anthems. Against a turbulent backdrop of war, divisive social change, and awful weather, half a million people celebrated peace, love, and music together. Woodstock remains a resonant cultural marker, documenting the brief triumph of hope over experience, and Tash takes ample advantage of the moment.
A positive portrait of a much-maligned era, this optimistic, exuberant tale is recommended for readers who’ve wondered why the ’60s were so great. (Historical fiction. 12-18)Pub Date: May 19, 2015
ISBN: 978-1-4814-3931-2
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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