by Satyajit Ray ‧ RELEASE DATE: Sept. 16, 1994
A collection of essays by one of the world's great filmmakers, dating back to his early days as a film buff. The late Satyajit Ray, who received a Lifetime Achievement Award from the American Academy of Motion Picture Arts and Sciences in 1991, was easily the finest director ever produced by the endlessly prolific Indian film industry. Unlike the majority of his colleagues, he worked in Bengali rather than Hindi (the dominant language of his country), and he made quietly intelligent, liberal humanist films rather than raucous four-hour musicals, the popular staple. This collection of his occasional writings on Indian and foreign films, published in India in 1976, reflects his humanist concerns. In the course of such essays as ``What Is Wrong with Indian Films?'' and ``The Odds Against Us,'' he repeatedly argues for a cinema about personal problems and large issues, a cinema that is perhaps a little too content-based for the tastes of many critics. The pieces, which date from 1948 to 1974, include several lovely reminiscences and journal excerpts from his filmmaking days; in fact, the best material describes working and traveling at home and abroad. Unfortunately, the book and film reviews that make up the bulk of the volume are disappointingly ordinary; he has little new to say about Akira Kurosawa, John Ford, or the other directors he admires. On occasion, Ray will rise up in a manifesto-like tone, urging Indian filmmakers to draw on their own social reality rather than following foreign models, however admirable. At those moments, his prose catches fire again. Rather than issuing this collection of often indifferent material, Hyperion would have done a greater service to Ray's memory by publishing more of his working journals or reminiscences.
Pub Date: Sept. 16, 1994
ISBN: 0-7868-6122-3
Page Count: 224
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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More by E.T.A. Hoffmann
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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