by Sayde Scarlett ‧ RELEASE DATE: Jan. 29, 2017
A collection that draws on tedious tropes of confessional poetry.
Scarlett’s debut poetry collection captures the various effects love has on the mind and body.
This work starts off by screaming loudly at the reader: “Engage me. Engage me / Tell me lies and enrage me / … / Adore me. Adore me / … / Arrest me. Arrest me.” But what feels like an aggressive cry for narrative attention may actually be just the beginning of the speaker’s exploration of the regularity, reliability, and power of emotion. In fact, as the collection develops, the poems carry the weight of heartbreak as well as the heft of self-realization as the speaker makes an emotive recovery. Scarlett has managed to create a work that flows at the speed of one theme. However, the individual poems fail to stand as independent works. For example, readers with no affinity for confessional poetry will feel as though the speaker is trying to take them into the specificities of a state of mind that they have no investment in: “I suppose you wonder why, my love for you / Won’t just go away? Why it is that when I am / without you my heart tears anew each day?” The work might have also benefited from rigorous streamlining; some poems feel unnecessary or might have been better as components of a different chapbook or full-length work. In “Chemical Soak,” for instance, Scarlett provides definitions of “flirtation,” “attraction,” and “infatuation,” among other terms, but these less-than-revolutionary definitions add little to nothing to the work as a whole. The collection’s biggest flaw lies in its show-and-tell approach, relying too much on the loaded history of its subject. The minimal amount of formal and thematic experimentation causes the poems to fall flat each time they suggest potentially interesting imagery: “Our love is now a wine stain / A crimson gash on my / White carpet.”A collection that draws on tedious tropes of confessional poetry.
Pub Date: Jan. 29, 2017
Page Count: 66
Review Posted Online: Jan. 5, 2018
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by Katie Keridan ‧ RELEASE DATE: Nov. 2, 2018
Therapeutic, moving verse from a promising new talent.
Awards & Accolades
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.Therapeutic, moving verse from a promising new talent.
Pub Date: Nov. 2, 2018
Page Count: 196
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by William Poe ‧ RELEASE DATE: Nov. 16, 2015
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.Downbeat but often engaging poems and stories.
Pub Date: Nov. 16, 2015
Page Count: 120
Review Posted Online: March 5, 2016
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