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THE RAKESS

From the Society of Sirens series , Vol. 1

A compelling historical romance from one of the genre’s rising stars.

When the rake is a woman instead of a man, society may not permit a happy ending.

Seraphina Arden is loved by her friends but feared by polite society. She’s a “rather unpopular figure in most circles,” thanks to her writing about women’s rights and the rumors about her numerous affairs—all completely true and unacceptable in the 1790s. She’s so notorious, in fact, that she’s had to return home to Kestrel Bay in Cornwall to work quietly on her most explosive book yet. It’s here that she meets Adam Anderson, a Scottish widower who is anxious to grow his practice as an architect so that he can provide for his two young children. She’s instantly attracted to him, proposing a no-strings-attached fling, but he resists temptation—until he doesn’t. Their attraction grows quickly, but the closer they get, the more painful memories surface for both of them; anonymous town residents keep trying to drive Seraphina away, and she abuses alcohol to cope with her past and current trauma. Adam, scared to abandon his tame but stable life, tries to let Seraphina go. When he succeeds, she is heartbroken. When she finally releases her memoir and all her secrets become public, Adam realizes he can no longer justify his choice—but it may be too late for their love to survive. This is the first book in Peckham’s new Society of Sirens series, and like its heroine, it is thrillingly complex and suspenseful. Peckham’s previously established talent for creating strong-willed heroines and heroes who respect them shines here along with her knack for creatively spicy scenes of intimacy. Given how well each member of the Society of Sirens is developed in this volume, readers will be anxious to read the next installment.

A compelling historical romance from one of the genre’s rising stars.

Pub Date: April 28, 2020

ISBN: 978-0-06-293561-8

Page Count: 400

Publisher: Avon/HarperCollins

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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