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FEDERICA

There’s plenty of yuck-factor silliness, and the penultimate spread, of the family uniting for “cleanup hour,” is very...

Dirty dishes, food and leaves on the floor, mice, nasty insects like big-eyed flies, spiders, mice, a butterfly or two—what is a tidy little girl to do?

Federica’s dad is busy with his telescope. Federica’s mum (wearing rollerblades) is occupied with her laptop and her painting. Her little brother seems perfectly content, but the “buggy, buzzy mess” amusingly pictured in the first double-page spread really bothers Federica. She goes to the park for respite. It’s full of unusual creatures: a goat and some sheep. There are also raccoons, an owl, a toad, and, of course, insects. It’s there that the young white girl thinks of a plan that will transform her messy house. There is a hint of the Yiddish folk tale familiar from It Could Always Be Worse, by Margot Zemach (1977). Federica brings all the park animals into her home, but here the animals are not meant to crowd out the humans but rather to eat the flies and mice, clean the kitchen, and consume the long grass. The resourceful girl succeeds in making her house fit for habitation again and releases the animals back to the park. The loose ink-and–Adobe Photoshop illustrations are a riot, milking the absurdity for all it’s worth. At the end, the mother rollerblades as she washes the floor, with baby brother riding the mop.

There’s plenty of yuck-factor silliness, and the penultimate spread, of the family uniting for “cleanup hour,” is very inviting. (Picture book. 4-7)

Pub Date: Aug. 1, 2017

ISBN: 978-1-55498-968-3

Page Count: 32

Publisher: Groundwood

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: June 15, 2017

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ADDIE ANT GOES ON AN ADVENTURE

Young readers will be “antsy” to join the hero on her satisfying escapade.

An ant explores her world.

Addie Ant’s ready for adventure. Despite some trepidation about leaving the Tomato Bed, where she lives with her aunt, she plucks up her courage and ventures forth across the garden to the far side of the shed. On her journey, she meets her pal Lewis Ladybug, who greets her warmly, points the way, and offers sage advice. When Addie arrives at her destination, she’s welcomed by lovely Beatrix Butterfly and enjoys an “ant-tastic” helping of watermelon. Beatrix also provides Addie with take-home treats and a map for the “Cricket Express,” which will take her straight home. Arriving at the terminal, Addie’s delighted to meet another friend, Cleo Cricket, whose carriage service returns Addie home in “two hops.” After eating a warm tomato soup dinner, Addie falls asleep and dreams of future exploits. Adorable though not terribly original, this story brims with sensuous pleasures, both textual and visual. Kids who declare that they dislike fruits or veggies may find their mouths watering at the mentions and sights of luscious tomatoes, peas, beans, watermelons, berries, and other foodstuffs; insect-averse readers may likewise think differently after encountering these convivial, wide-eyed characters. And those flowers and herbs everywhere! The highlights are the colors that burst from the pages. Addie’s an endearing, empowering character who reassures children they’ll be able to take those first independent steps successfully.

Young readers will be “antsy” to join the hero on her satisfying escapade. (author’s note about ants) (Picture book. 4-7)

Pub Date: April 9, 2024

ISBN: 9781797228914

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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