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THE GHOST OF MY FATHER

A sobering, lucid memoir about the uncanny, precarious nature of family, masculinity and childhood.

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In Berkun’s (The Year Without Pants, 2013, etc.) new memoir, a broken family in the New York metropolitan area struggles to overcome their limitations.

If there’s a keyword that unlocks Berkun’s portrait of his socially impaired clan, it’s memory. Admittedly, this isn’t an unusual observation for a memoir. Nonetheless, Berkun’s childhood recollection of his mother cleaning out her husband Howard’s car, only to discover “tickets to a movie she’d never seen,” is an affecting image of abandonment and lost innocence. “No one recalls what the movie was,” Berkun writes, “but it’s strangely important to me now.” Throughout this memoir, the 42-year-old author tells of how he’s still haunted by his childhood’s lack of stability or certainty, particularly regarding his parents’ on-again, off-again relationship. Starting at an early age, he says, he was overwhelmed by his father’s imperfections, such as his tendency “to deal privately with his wounds, to put himself first, and to deny and repress the expression of love” toward his wife and children, including the author’s older siblings. Berkun tells of how his father became involved in a second affair at the age of 70, three decades after his initial infidelity, and of how his own sad memories of youth rose again, “like the ghosts of sad creatures that died long ago, haunting me because they want to find peace but can’t.” The author’s prose style is compelling, due in part to his interest in classical mythology and modern popular culture. After explaining that his anger toward his father came from the fact that Howard never made “an attempt to explain himself,” Berkun reminisces about his first exposure to the movie Star Wars (1977) and explores the shared history of the “misunderstood monster” between Darth Vader, Dr. Frankenstein, Greek mythology and Aesop’s fables. As the story of a father who came of age in the 1970s and ’80s, Berkun’s memoir is ideally suited to an audience that’s similarly concerned with the challenges of adulthood and parenthood in the 21st century.

A sobering, lucid memoir about the uncanny, precarious nature of family, masculinity and childhood.

Pub Date: Oct. 15, 2014

ISBN: 978-0983873129

Page Count: 202

Publisher: Berkun Media, LLC

Review Posted Online: Nov. 13, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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