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THE WOLF AND THE WATCHMAN

A FATHER, A SON, AND THE CIA

Gripping, emotional depictions of the conflicts that rage in the interior and exterior worlds of a spy—and of a journalist.

A former Newsweek foreign correspondent reviews his often perplexing experiences as the son of a CIA operative.

Now a freelance journalist, Johnson begins in 1973, his birth year, with a story about a snake charmer in India, where his father was stationed. The snake charmer proves an apt metaphor for the mysterious elder Johnson, a sophisticated persuader whose ability to charm was his deadliest arrow as he sought to flip other agents and foreign nationals. The author does not obey a strict chronology. After 10 chapters that deliver us to 2001, Johnson returns to Mexico City in 1968, wondering if or how his father was involved in the deadly violence that occurred there just before the Olympics. Rendering the question even more wrenching is his realization that Johnson père could have been involved in the arrest of the father of a woman Johnson fils was dating. About halfway through, the narrative arrives near the present with a summary of the author's sometimes-harrowing experiences covering the war in Iraq; he survived an IED explosion while riding in a Marine vehicle and had other brushes with death. We also hear about Sarajevo in 2004 and, in later chapters, about visits with his uneasily retired father in Spokane. They took some road trips, and en route, we learn about some of the missions and adventures of Johnson père, though he says he resents interrogations. Nonetheless, the author kept pushing him to impart as much family and professional history as possible, trying to understand a man with such a deadly past who nonetheless both professes and demonstrates a profound love for his son.

Gripping, emotional depictions of the conflicts that rage in the interior and exterior worlds of a spy—and of a journalist.

Pub Date: May 20, 2013

ISBN: 978-0-393-23980-5

Page Count: 320

Publisher: Norton

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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