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THE WEDGE

EVOLUTION, CONSCIOUSNESS, STRESS, AND THE KEY TO HUMAN RESILIENCE

An engrossing case for rebooting one’s system through extreme experiences.

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A far-out exploration of neurophysiological life hacks.

In his previous book, investigative journalist Carney (What Doesn’t Kill Us, 2017, etc.) offered an account of fitness guru Wim Hof’s unorthodox program of breathing exercises and exposure to intense cold. Here, the author examines an expanded concept that he calls “the Wedge,” involving a variety of uncomfortable or unsettling regimens that disrupt one’s climate-controlled routines and foster more creative and healthy responses to stress. He revisits breathing exercises and ice-water baths, which he credits with curing his own autoimmunity-related mouth cankers, and endures agonizing heat in a broiling sauna, which he says cleanses his mind; saunas could also be useful, studies suggest, in alleviating depression. Drugs, he writes, are a multifaceted Wedge; he took Ecstasy with his wife and resolved thorny marital issues in a blissful rapture, thus achieving the equivalent of “eight months of weekly [couples] therapy in just the course of two or three hours,” and drank a Peruvian shaman’s hallucinogenic ayahuasca brew, which initiated a psychedelic trance that, he says, ended his addiction to video games. He also lost five pounds on the “Potato Hack,” a blandly filling all-potato diet that, he asserts, severs the link between hunger and instinctual noshing on tasty food. Carney deftly explains the biological and neurological bases for these unusual nostrums, and the book is full of intriguing research findings about links between the brain, the body, and the environment. (Neurotic anxiety, he writes, may be caused by faulty chemoreceptors in the brain that overreact to carbon dioxide—a universal trigger for panic.) His mystical effusions on the oneness of all being—“I was the mountain…the partition between the environment and what happens inside us is an illusion,” he rhapsodizes when climbing, bare-chested, to Kilimanjaro’s snowy summit—are less cogent, and his idea that “evolution seeks to preserve experience” will baffle evolutionary theorists. Carney sometimes sounds like a spiritual seeker, but his evocative prose and knack for scientific exposition make his urge to transcend the self by pushing his mind and body to their limits seem thrilling and sensible.

An engrossing case for rebooting one’s system through extreme experiences.

Pub Date: April 13, 2020

ISBN: 978-1-73419-430-2

Page Count: 310

Publisher: Foxtopus Ink

Review Posted Online: Jan. 31, 2020

Kirkus Reviews Issue: March 15, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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