A winning and witty collection offering humor and insight into the French way of life.

FRENCH LIKE MOI

A MIDWESTERNER IN PARIS

A volume of essays recounts the joys and difficulties of a Midwestern college professor’s move to Paris.

On sabbatical from teaching, Carpenter moved with his wife and daughter all the way from Minnesota to Paris. After much bureaucratic hubbub, they bought a tiny apartment and set about acclimating to the Parisian way of life. No stranger to the French but a relative newcomer to their daily routines, the author highlights the captivating contrasts between his Midwestern home and his adopted city in 18 essays and three sections: “Came,” “Saw,” and “Conquered.” Each essay focuses on a different element of Parisian life, from the relative opulence of American return policies to the ubiquity of protests and demonstrations. Carpenter’s insights are humorous and deftly crafted, interweaving perceptive details about the French language with curious incidents and stirring events. While the tone is light, the author occasionally ventures into serious territory, most effectively in his discussion of terrorism and the national climate. While his more solemn moments can verge on flippancy, Carpenter generally returns readers to a place of thoughtful consideration. One of the strongest, most innovative passages comes in a chapter recalling the difficult process of raising funds and securing approvals for apartment building improvements. The author convincingly compares this process to the drama of an opera and goes so far as to provide the beginnings of a libretto. Most of his essays are also accompanied by debut illustrator Golden’s charming sketches, which lend additional intrigue to Carpenter’s fluid scenes. Although perhaps not groundbreaking in its subject matter or style, the book is a delightful read, presenting essays filled with levity and grace.

A winning and witty collection offering humor and insight into the French way of life.

Pub Date: July 7, 2020

ISBN: 978-1-60952-183-7

Page Count: 256

Publisher: Travelers' Tales

Review Posted Online: Feb. 21, 2020

Kirkus Reviews Issue: April 1, 2020

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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A top-flight nonfiction debut from a unique artist.

CINEMA SPECULATION

The acclaimed director displays his talents as a film critic.

Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.

A top-flight nonfiction debut from a unique artist.

Pub Date: Nov. 1, 2022

ISBN: 978-0-06-311258-2

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 1, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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