A solid thriller that leaves you thinking it could have been much better.
On the brink of suicide following his wife's death, one-time British special-forces operative Ben Hope is intent on putting his violent past behind him and studying religion at Oxford. But when a family friend's daughter, a renowned biblical archaeologist, goes missing in Greece—and the young friend Ben sent to find her is killed in a bombing—Ben is forced to dust off his killing skills and spring back into action.
The stakes are big in Mariani's second Hope novel (The Mozart Conspiracy, 2011). Zoë Bradbury is abducted because she says she discovered an artifact that exposes as false the Book of Revelation and its ultimate promise of Rapture. This rankles an international conspiracy bent on using Revelation to orchestrate the destruction of Israel by Islamic forces. The discovery also upsets the plans of Clayton Cleaver, a popular TV evangelist in Georgia who has based his political hopes on the prophecies. Frustrated by Zoë's amnesia, caused by a head injury, her abductors threaten to inject her with a newly invented truth serum that will reduce her to psychotic rubble. Ben's pursuits take him to Savannah, where he learns that Zoë, an Amy Winehouse–like party girl, was blackmailing Cleaver. Rendered unconscious by the bad guys, Hope wakes up in Montana, where he has relatively little trouble dispatching the bad guys with the help of a smitten female CIA agent. The story takes us, finally, to Jerusalem, where Hope must thwart plans to blow up the Dome of the Rock. Mariani constructs the thriller with skill and intelligence, staging some good action scenes, and Hope is an appealing protagonist. However, the book's premise is undercooked. There's little threat of worldwide upheaval, or much of a threat to the principals. The book might well have been better off eschewing its Dan Brown Da Vincisms and turning up the tension on the more grounded elements of the story.
A solid thriller that leaves you thinking it could have been much better.Pub Date: March 6, 2012
ISBN: 978-1-4391-9347-1
Page Count: 352
Publisher: N/A
Review Posted Online: Jan. 21, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
Moody but restrained, this is a familiar tale that sets out to upend itself—and succeeds.
A missing—presumed dead—woman’s husband and teenage daughter struggle with her absence and the question of whether she is truly gone in this third novel by Brown (This Is Where We Live, 2010, etc.).
Nearly a year after her mother, Billie, disappeared while hiking a wilderness trail in Northern California, Olive, a high school junior, starts having vivid visions. In them, Billie appears in a variety of settings, speaking short, inconclusive sentences that Olive believes mean she wants to be found. But if her mother is alive, why did she disappear? That happens to be the same question Olive’s father, Jonathan, has begun asking himself after learning that Billie lied about several weekend trips she'd taken in the months before she vanished. As he digs deeper, Jonathan uncovers too many secrets to ignore, shaking his understanding of his wife and marriage but otherwise pointing in no particular direction. While he worries that Billie was unfaithful, Olive worries that she’s in danger. Both concerns feel justified; neither feels like the whole story. All the themes here are well-trod. There’s the family coping with loss and its attendant questions. There’s the Manic Pixie Dream Girl who's revealed to be darker and possibly more dangerous than believed. There’s the supernatural quality of Olive’s visions (is there a medical explanation, and does it matter?). There’s the natural shifting that happens in a family when children turn into teenagers, and there’s the ode on perfect Berkeley motherhood. It's because the author deftly incorporates all these themes into one building mystery, however, that the book is so page-turning. Readers are likely to be unsure of which outcome would be most satisfying until the very end.
Moody but restrained, this is a familiar tale that sets out to upend itself—and succeeds.Pub Date: July 11, 2017
ISBN: 978-0-8129-8946-5
Page Count: 368
Publisher: Spiegel & Grau
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
A grueling, gripping demonstration of melodrama’s darker side. As Annie tells the cops who insist that everything’s OK...
Stevens’s blistering debut follows a kidnap victim from her abduction to her escape—and the even more horrifying nightmare that follows.
One moment, Vancouver Island realtor Annie O’Sullivan is taking one last client, a quiet, well-spoken man with a nice smile, through the property where she’s holding an open house; the next moment, she’s being marched out to a van at gunpoint, unaware that it’s the last time for months that she’ll see the sky or breathe the open air. The man who’s taken her calls himself David; she calls him The Freak. And her ordeal over the next year, described in unsparing detail in a series of lacerating sessions with her psychiatrist, indicates that her name is a lot more accurate than his. Annie is fondled, beaten, raped and starved by a man whose troubled background has evidently convinced him that she wants him to treat her with exactly this combination of brutality and solicitude. Worse still, she internalizes his obsessive rules (meals and bathroom breaks on a strict schedule, ritual baths and sex, complete control of every word she speaks and her tone of voice) so completely that she remains terrified of breaking them. Months after her miraculous return to the world she wondered if she’d ever see again, she’s still cowering every night in her closet, unable to hold her own in anything like a normal conversation with her flirtatious, irresponsible mother, her best friend Christina, her restaurateur boyfriend Luke, or any of the dozens of interviewers who stalk her, “just sadists with a bigger paycheck” than The Freak. Worst of all is the dawning realization, fostered by sympathetic, no-nonsense Staff Sgt. Gary Kincade, that The Freak had at least one accomplice who helped him select his victim—perhaps an accomplice who had a particular reason to wish Annie ill.
A grueling, gripping demonstration of melodrama’s darker side. As Annie tells the cops who insist that everything’s OK because she’s safe: “I was never going to be okay, or safe.”Pub Date: July 1, 2010
ISBN: 978-0-312-59567-8
Page Count: 352
Publisher: St. Martin's
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
