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THE SERPENT NEVER SLEEPS

A NOVEL OF JAMESTOWN AND POCAHONTAS

Although she meets King James of England and is invited to come and write letters at court because of her fair penmanship, Serena Lynn takes a ship for the New World, following the fortunes of Anthony Foxcroft, hot-blooded son of the Countess who had employed her. She wears a serpent ring given her by King James; he told her it would protect her. The ship wrecks off Bermuda; although there is ample to eat, there is faction and dispute among the survivors. Foxcroft then sets out on a small vessel constructed from the wreckage, but only bits of it are ever seen again. Finally, in a larger ship, the colonists reach Jamestown, finding the settlers there decimated. Aware of the story of John Smith and Pocahontas, Serena decides to find the Indian maiden and beg assistance of her to help the starving colonists. She becomes part of a plot to kidnap Pocahontas, and is instrumental in the romance between her and John Rolfe. Serena marries; she and her husband protect Pocahontas in a sland-olf with the Indian; their cabin burns but all survive. Pocahontas notes that Serena is calm, while Pocahontas will soon be dead, and that the ring makes her calm. Serena throws the ring into the fireplace with vague regret. Later, news of Pochontas' death in England comes to the colony. This historical tale is at times confused—as with the factions in Bermuda—and at times disjointed. Pocahontas is right: Serena is too calm, and so dispassionate that we cannot really identify with her. Young readers might do better with Frances Mossiker or Jean Fritz as biographers.

Pub Date: Sept. 1, 1987

ISBN: 0395442427

Page Count: -

Publisher: Houghton Mifflin

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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