An amusing SF private eye/coffee spoof chock-full of silicon circuits and served with laughs.


In a giant, futuristic mall, a coffee machine with artificial intelligence excitedly narrates the exploits of its new owner, a retro-style, hard-boiled gumshoe.

Stein’s (Lost, 2019) satirical SF detective yarn at least initially owes much to Douglas Adams before the material finds its own humorous tone. The Hitchhiker’s Guide to the Galaxy fans may recall Adams’ ancillary detail of robotic home appliances with “Real People Personalities,” often annoying, single-minded entities. And coffee machines were among those conveniences so accessorized. Arjay, the first-person (or first-gadget?) narrator here, is such a device, an ever upbeat, persistent, and talkative “top of the line” coffee maker. Arjay gets delivered to Frank Harken, a private eye of the old school, whose beat is the Great American, a fortresslike, coast-to-coast shopping/dining/entertainment/residential mall (shades of Somtow Sucharitkul’s Mallworld). The mall is a consumer paradise and haven for the elite in an otherwise ill-described (but doubtlessly unpleasant) future United States. Because of a prime directive to serve coffee in any circumstance, Arjay is mobile, resourceful, multilimbed, and filled with extra goodies such as laser cutters. The AI becomes sidekick to bemused tough-guy Harken. The chipper appliance recounts their initial case together, a missing custom-dentistry heiress named Winsome Smiles, connected to shady characters and now apparently kidnapped. Arjay’s enthusiastic narration takes readers through not only the standard private investigator clichés (mobsters, clueless authorities, duplicitous dames), but also bizarre boutiques and services (“legstentions”), literary references encompassing The Princess Bride and Edgar Allan Poe, and—in a very Hitchhiker touch—reams of persnickety Arjay non sequitur footnotes. (Sample: “Assassins were notoriously inconsiderate.”) A nice feat for Stein is that he still remains faithful, even in the jokey milieu, to the twisty conventions of a decent gumshoe mystery. And a certain readership demographic will appreciate that he keeps a lid on Quentin Tarantino–type violence and never flavors the brew with gratuitous sex or sleaze. This coffee tale offers good taste (to the last drop).

An amusing SF private eye/coffee spoof chock-full of silicon circuits and served with laughs.

Pub Date: May 1, 2020

ISBN: 978-1-946501-21-9

Page Count: 228

Publisher: Tiny Fox Press LLC

Review Posted Online: Feb. 6, 2020

Kirkus Reviews Issue: March 15, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Remarkable, revelatory and not to be missed.


From the Remembrance of Earth's Past series , Vol. 1

Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.

In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.

Remarkable, revelatory and not to be missed.

Pub Date: Nov. 11, 2014

ISBN: 978-0-7653-7706-7

Page Count: 400

Publisher: Tor

Review Posted Online: Oct. 5, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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