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ONE L

THE TURBULENT TRUE STORY OF A FIRST YEAR AT HARVARD LAW SCHOOL

Like the hero of the book-then-film, The Paper Chase, Turow got all frazzled—smoking, drinking, making and breaking psychiatric appointments—by his first year at Harvard Law School (1975-76), the year with all the tough courses, heavy pressures, competitive snarls, and think-like-a-lawyer angst. So it's a wonder he was able to find time to keep this stupefyingly detailed journal, what with taking notes in technicolor (different pens for case-briefs, lectures, etc.), joining a study group, plunging into "moot court" arguments, fretting about future employment, and brooding over the motives of a brilliant, sadistic prof, the failings of an incompetent one, and the viability of the Socratic question-and answer law-teaching approach. Written too soon after the event to stifle self-dramatization—or to touch on the tenuous relationship between actual law practice and classroom drilling—this will be of interest only to masochistic, prospective law students but may mislead them, since Harvard's enormous classes, hothouse ambiance, and rock-rigid first-year requirements are less than representative of current options in legal education.

Pub Date: Sept. 1, 1997

ISBN: 0446673781

Page Count: 308

Publisher: Putnam

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: Sept. 1, 1977

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OUTRAGEOUS ACTS AND EVERYDAY REBELLIONS

The world didn't lose a great journalist when Gloria Steinem focused her energies on feminist activism—but because she was a working journalist (and, from 1968, political columnist for first-person-prone New York magazine), the light bulb goes on right here. This first collection of her writings (also, her first book) leads off with autobiographical comments: on the speaking she's done instead of writing, and how difficult ("a major hurdle in my life") and ultimately rewarding it was (kudos on both scores to her black lecture partners); on her earlier writing career, or the frustrations of frivolous, "girl reporter" assignments; on her first stabs at "telling the truth in public" and other outcomes of a "growing consciousness." From the pre-feminist writing, she includes only "I Was a Playboy Bunny"—a 1963 "exposÉ" of the crippling grind, the miserable pay, the sexual harassment (said a co-worker: "If you can type, what the hell do you want to be a Bunny for?")—and the first parts of a section of campaign reports, 1965-72. It's there, in 1968, that the "Feminist Realization" (born of covering women's meetings) hits home—eliciting the kind of protest that would quickly become a groundswell: "Six months ago I would have been honored by McGovern's invitation to a 'serious' (i.e., male and therefore grownup) political meeting, but full of doubt about whether I could contribute in a 'serious' (male) way. . . . I couldn't admit that any power relationship in life is political: therefore politics for women may be who's doing the dishes, or who's getting paid half the wages that a man would get for the same job, or who's expected to take the roles of service and support everywhere, including in political campaigns." A dozen pages later, after the 1972 Democratic Convention (Chisholm for president, Farenthold for V.P.): "Women are never again going to be mindless coffee-makers, or mindless policy-makers. . . ." That sense of being in at the creation is diluted by the non-chronological arrangement of the pieces in the remaining two-thirds of the book—pieces that are essentially feminist polemics whether the subject is food (women's smaller share or "Erotica vs. Pornography," (good) Jackie Kennedy or the (bad) heroine of Sophie's Choice. A partial exception is "Ruth's Song (Because She Could Not Sing It)," Steinem's previously unpublished memoir of her mentally-disturbed mother—whom she regards as a victim but also celebrates as a life-force. Still, her particular talent has been for perceiving the feminist angle, in her own writing and for Ms., and spreading that recognition. If some of the ideas here sound hackneyed, she has honest claim to them.

Pub Date: Aug. 1, 1983

ISBN: 0452257107

Page Count: 384

Publisher: Holt Rinehart & Winston

Review Posted Online: Oct. 13, 2011

Kirkus Reviews Issue: Aug. 1, 1983

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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