ONE L

THE TURBULENT TRUE STORY OF A FIRST YEAR AT HARVARD LAW SCHOOL

Like the hero of the book-then-film, The Paper Chase, Turow got all frazzled—smoking, drinking, making and breaking psychiatric appointments—by his first year at Harvard Law School (1975-76), the year with all the tough courses, heavy pressures, competitive snarls, and think-like-a-lawyer angst. So it's a wonder he was able to find time to keep this stupefyingly detailed journal, what with taking notes in technicolor (different pens for case-briefs, lectures, etc.), joining a study group, plunging into "moot court" arguments, fretting about future employment, and brooding over the motives of a brilliant, sadistic prof, the failings of an incompetent one, and the viability of the Socratic question-and answer law-teaching approach. Written too soon after the event to stifle self-dramatization—or to touch on the tenuous relationship between actual law practice and classroom drilling—this will be of interest only to masochistic, prospective law students but may mislead them, since Harvard's enormous classes, hothouse ambiance, and rock-rigid first-year requirements are less than representative of current options in legal education.

Pub Date: Sept. 1, 1997

ISBN: 0446673781

Page Count: 308

Publisher: Putnam

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: Sept. 1, 1977

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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