Worth staying the course.
An Illinois prosecutor seeks to learn who annihilated a group of refugee gypsies in Bosnia.
Mega-selling author Turow turns from familiar, fictional Kindle County (read, Chicago) to treacherous Bosnia for this latest, uneven thriller. Here, in 2004, about 20 armed men herded into a cave a group of 400 Roma, or gypsies. From atop an overhang to the cave’s entrance, the abductors set off explosives, causing landslides that buried the gypsies alive. Who were the perpetrators, and what were their motives? Were Serb paramilitaries behind it? Were jihadis defending Bosnian Muslims from the Serbs? Or did the American military carry out the massacre in an act more heinous than My Lai? Eleven years later, the International Criminal Court at the Hague, which tries mass atrocities, pursues the case. The ICC wants an American lawyer to prosecute, and Bill ten Boom seems the perfect choice. He has friends on “both sides of the aisle” in D.C. and a reputation that’s “bulletproof.” Alas, Bill, though worth millions, is going through a male midlife crisis, which leaves a too-familiar, not very fascinating character to carry the tale. It doesn’t help when Bill predictably becomes attracted to defense attorney Esma Czarni, an English barrister who is also a Roma. As they combust, Turow’s prose turns purple. An “earthquake of pleasure” turns the bed they share “into a delicious, soupy mess.” Just as clichéd is Turow’s sense of place. En route to the gypsy campsite, Bill sees “little whitewashed houses that could have been home to Hansel and Gretel.” Bill’s journey to find the culprits initially moves by fits and starts, frequently interrupted by subplots only tenuously connected to his quest. A tightly written action set piece at midpoint, in which Bill and an associate narrowly escape execution, snaps readers to attention, and Turow largely keeps them there as he moves on to a complicated, trenchant, and pertinent finish.
Worth staying the course.Pub Date: May 16, 2017
ISBN: 978-1-4555-5354-9
Page Count: 496
Publisher: Grand Central Publishing
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory,...
The creator of Wyoming Fish and Game Warden Joe Pickett (Breaking Point, 2013, etc.) works the area around Yellowstone National Park in this stand-alone about a long-haul trucker with sex and murder on his mind.
The Lizard King, as he calls himself, normally targets lot lizards—prostitutes who work the parking lots adjacent to the rest stops that dot interstate highways. But he’s more than happy to move up to a higher class of victim when he runs across the Sullivan sisters. Danielle, 18, and Gracie, 16, are supposed to be driving from their mother’s home in Denver to their father’s in Omaha, but Danielle has had the bright idea of heading instead to Bozeman, Mont., to visit her boyfriend, Justin Hoyt. Far from home, their whereabouts known to only a few people, the girls are the perfect victims even before they nearly collide with the Lizard King’s rig and Danielle flips him off. Hours later, very shortly after he’s caught up with them in the depths of Yellowstone and done his best to eradicate every trace of his abduction, Justin, worried that Danielle refused his last phone call, tells his father that something bad has happened. Cody Hoyt, an investigator for the Lewis and Clark County Sheriff’s Department, is already having a tough day: At the insistence of his crooked boss, Sheriff Tubman, his longtime student and new partner, Cassandra Dewell, has just caught him planting evidence in an unrelated murder, and he’s been suspended from his job. If he’s lost his badge, though, Cody’s got plenty of time on his hands to drive downstate and meet with State Trooper Rick Legerski, the ex-husband of his dispatcher’s sister, to talk about what to do next. And so the countdown begins.
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory, anticlimactic and unsatisfactory ending.Pub Date: July 30, 2013
ISBN: 978-0-312-58320-0
Page Count: 400
Publisher: Minotaur
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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