by S.D. Chrostowska ‧ RELEASE DATE: April 14, 2020
A slight but quick-witted and thoughtful philosophical parable that falls somewhere between Camus and Gaiman’s Sandman...
In a dystopian near future where sleep is outlawed, an unemployed Everyman meets a revolutionary dedicated to the subversive power of dreams.
Chrostowska (Permission, 2013, etc.) is a fiercely intellectual writer, but in this hallucinatory portrait of a world robbed of dreams, she’s content to let her surrealistic journey play out freely. Our narrator subsists in an alternative version of Paris, one where dreams have been outlawed in the name of productivity and citizens are forced to take a potent drug called Potium to keep them in a permanent state somewhere between slumber and the waking world. His fortunes are altered drastically when he meets Chevauchet, a roving ambassador from the perplexing Free Republic of Onirica, a city-state virtually unknown to the mainstream population. In the diplomat’s worldview, daydreaming is a directly subversive action that gives people a notion of freedom, no matter how tenuous or fleeting. To open the narrator’s eyes, Chevauchet takes him “dream-hopping” through the dreams of others, exploring love, dread, power, and nightmares among other themes. It’s all part of the ambassador’s unified theory of utopia, a speculative philosophy that imagines that revolutionary dreaming can lead to true emancipation. Yes, it’s a hallucinatory story, steeped in existentialist philosophy and delivered in poetic, classical language. The novel can read like a work in translation, with the avant-garde aesthetics and interesting idiosyncrasies found in European novels laden with existentialist themes and absurdist imagery. Ultimately, the student becomes the teacher as Chevauchet fades and the narrator becomes a “Merchant of Sleep,” treating refugees and lost souls to the obvious form of resistance against the waking world: “With this our bargain was concluded; my dreamers got their sleep, and I their dreams.”
A slight but quick-witted and thoughtful philosophical parable that falls somewhere between Camus and Gaiman’s Sandman universe.Pub Date: April 14, 2020
ISBN: 978-1-55245-408-4
Page Count: 144
Publisher: Coach House Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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