by Seamus Kirst ; illustrated by Karen Bunting ‧ RELEASE DATE: March 12, 2024
A new-baby story that will serve as a welcome mirror for queer families.
Harper excitedly anticipates the arrival of her new brother and imagines everything they’ll do together.
Harper loves spending time with Daddy and Dad. When her fathers tell her that they’ll be adopting a new baby soon, she’s eager to share all her favorite family activities with him, from playing hide-and-seek to going down the slide. When Wyatt comes home, Harper gets to hold him, but all her beloved pastimes are put on hold when her dads spend their time tending to Wyatt’s needs. Harper finally vents her frustrations when Taco Tuesday is canceled, leading to a family discussion about what has changed and what has not. Dreamy illustrations depict Harper being swept away with her hopes for the new baby; after reality sets in, the artwork shows her frowning. While Harper’s emotional outbursts are resolved unrealistically quickly—and Harper’s response feels implausibly mature (“Instead of the three of us loving each other, the four of us will love each other…I have loved him from the second I met him”)—the message that there’s more than enough love to go around nevertheless is effectively conveyed while giving families with two fathers a sweet and useful tool to help introduce new siblings. Harper and Daddy are brown-skinned, while Dad and Wyatt are lighter-skinned.
A new-baby story that will serve as a welcome mirror for queer families. (Picture book. 3-5)Pub Date: March 12, 2024
ISBN: 9781433843143
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Marissa Valdez ; illustrated by Marissa Valdez ‧ RELEASE DATE: April 1, 2025
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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