by Seamus McGraw ‧ RELEASE DATE: April 13, 2021
A memorable, necessary contribution to the national conversation on gun violence.
A meditative history of mass murder by gunfire.
Freelance journalist McGraw begins in 1966, when a former Marine climbed a tower at the University of Texas and began firing. When he was finally brought down after murdering 17 people, he was said to have had a brain tumor—though that did not prevent the shooter from amassing an arsenal and planning his spree. Of all the mass killings since—Columbine, Christchurch, Parkland, the list goes on—there are, notes the author, only a few points in common. Though assaults by gun are fewer than by fists or knives, “when an active shooter—and it is most often a male—does get his hands on a semiautomatic rifle, the results are catastrophic.” The string of catastrophes that McGraw chronicles ends with a shooting from a Las Vegas hotel window “a hundred feet higher than the Texas shooter” in which an astonishing 471 people were hit with bullets and 102 died. That shooter—McGraw is scrupulous, with a couple of willful exceptions, about not naming names, denying killers the publicity they crave—was not, strictly speaking, insane. He may have been evil, but that is an amorphous, fairly useless concept that helps remove agency. What can be said about the killers in general is that they’re psychologically troubled and make their troubles known before they act, oftentimes only to be ignored. One young man who slaughtered 26 people, many of them schoolchildren, was diagnosed with numerous mental health issues, yet his mother, a gun enthusiast, bought him weapon after weapon. She was the first to die. The ease with which such guns can be acquired (2 million have entered the market since the Newtown massacre) is one of many seemingly intractable problems. That, along with a would-be killer’s sense of entitlement, contributes to a legacy of incomprehensible violence, of which McGraw writes, with grim poetry, “There is no silence on earth deeper than the silence between gunshots.”
A memorable, necessary contribution to the national conversation on gun violence.Pub Date: April 13, 2021
ISBN: 978-1-4773-1718-1
Page Count: 232
Publisher: Univ. of Texas
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: March 15, 2021
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by Chuck Klosterman ‧ RELEASE DATE: Jan. 20, 2026
A smart, rewarding consideration of football’s popularity—and eventual downfall.
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New York Times Bestseller
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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