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FROM A TALLER TOWER

THE RISE OF THE AMERICAN MASS SHOOTER

A memorable, necessary contribution to the national conversation on gun violence.

A meditative history of mass murder by gunfire.

Freelance journalist McGraw begins in 1966, when a former Marine climbed a tower at the University of Texas and began firing. When he was finally brought down after murdering 17 people, he was said to have had a brain tumor—though that did not prevent the shooter from amassing an arsenal and planning his spree. Of all the mass killings since—Columbine, Christchurch, Parkland, the list goes on—there are, notes the author, only a few points in common. Though assaults by gun are fewer than by fists or knives, “when an active shooter—and it is most often a male—does get his hands on a semiautomatic rifle, the results are catastrophic.” The string of catastrophes that McGraw chronicles ends with a shooting from a Las Vegas hotel window “a hundred feet higher than the Texas shooter” in which an astonishing 471 people were hit with bullets and 102 died. That shooter—McGraw is scrupulous, with a couple of willful exceptions, about not naming names, denying killers the publicity they crave—was not, strictly speaking, insane. He may have been evil, but that is an amorphous, fairly useless concept that helps remove agency. What can be said about the killers in general is that they’re psychologically troubled and make their troubles known before they act, oftentimes only to be ignored. One young man who slaughtered 26 people, many of them schoolchildren, was diagnosed with numerous mental health issues, yet his mother, a gun enthusiast, bought him weapon after weapon. She was the first to die. The ease with which such guns can be acquired (2 million have entered the market since the Newtown massacre) is one of many seemingly intractable problems. That, along with a would-be killer’s sense of entitlement, contributes to a legacy of incomprehensible violence, of which McGraw writes, with grim poetry, “There is no silence on earth deeper than the silence between gunshots.”

A memorable, necessary contribution to the national conversation on gun violence.

Pub Date: April 13, 2021

ISBN: 978-1-4773-1718-1

Page Count: 232

Publisher: Univ. of Texas

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

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An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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