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THE LEPRECHAUN WHO LOST HIS RAINBOW

Colleen’s grandfather is set to play the bagpipes in the St. Patrick’s Day parade, but rain threatens to bring an abrupt end to his performance. Enter Roy G. Biv, a leprechaun who has lost his pot of gold. Roy explains to Colleen that if she helps him find it by making a rainbow, the sun will come out and the parade will be saved. Colleen readily gives the leprechaun an item of each color his rainbow requires, hesitating only about the green penny whistle given to her by her grandfather. Finally, she gives this up as well and is rewarded by a rainbow, a happy grandfather and a new flute. While the prose is a little clunky in places, the fantastical story and Cote’s bright, cheery illustrations will keep kids interested. With the focus on leprechauns, bagpipes and parades, this one is sure to be popular around St. Paddy’s Day, for which there is a relative dearth of stories. An endnote discusses rainbows and the use of Roy G. Biv as a handy tool for remembering a rainbow’s individual colors. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-8075-4454-9

Page Count: 32

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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A PLUMP AND PERKY TURKEY

The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)

Pub Date: Sept. 1, 2001

ISBN: 1-890817-91-0

Page Count: 40

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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