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THE CIRCLE-A KILLINGS

Another gripping thriller from a writer who continues to impress.

Awards & Accolades

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The world’s richest people are being systematically murdered, and an anarchist movement may—or may not—be to blame in this thriller sequel.

In Heary’s The Concordat (2018), Enzo Rossi, the head of the Vatican’s police force, was in Moscow on a mission to track down a rogue historical document. Now Rossi is trying to take things a little easier. He’s accepted a post as a visiting academic at the University of Cambridge in England and is enjoying the serenity of academic life, but the peace, inevitably, doesn’t last for long. He takes time out to join a pheasant-shooting party at the estate of a local aristocrat, but his impressive display of marksmanship is quickly overshadowed by that of a sniper, who murders a brash Russian new-money billionaire. The killer escapes, but he leaves behind “his calling card—a circle-A monogram and #27 spray painted in red,” the dead billionaire’s ranking on the Forbes “Rich List.” It’s just the latest in a series of big-money assassinations. Rossi is drawn into the investigation and finds himself reunited with CIA agent Cathy Doherty, who’s gone undercover as a student in order to infiltrate the inner circle of the Cambridge Experientialists, a secret society that’s suspected in the anti-capitalist killing spree. When Rossi’s and Doherty’s friends, colleagues, and suspects start dying at an alarming rate, though, it begins to look like they may be following a false trail. Although The Concordat delved deeply into the past, this series installment stays more grounded in the present. The tone is a little different in this sequel, as well—less Robert Harris and more John Buchan—although Heary’s writing is, again, first rate, blending suspense, romantic tension, and dry humor in a complex and absorbing narrative. The sinister villains’ efforts to destabilize the world order, and particularly the European Union, are front and center, but the overall plot is quite a tangle, and it will require a lot of patience on the reader’s part. The ethics of the characters are sometimes questionable, as well, as Rossi himself acknowledges.

Another gripping thriller from a writer who continues to impress.

Pub Date: N/A

ISBN: N/A

Page Count: 374

Publisher: Manuscript

Review Posted Online: April 13, 2020

Kirkus Reviews Issue: June 15, 2020

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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