THE RING WENT ZING!

A STORY THAT ENDS WITH A KISS

When a frog and chicken fall in love, the frog proposes but drops the ring. It skips away past a jogging swan, a rabbit on a skateboard, a goat on a trike and a sausage dog on a motorcycle. As the chicken and frog give chase, the swan calls out, “Hop on! We’ll stop that ring!” Each animal they pass adds to the stack, à la the Bremen Town Musicians. In energetic pursuit the sextet “race[s], chase[s], stretche[s], perche[s], hurrie[s], scurrie[s], swerve[s], and lurche[s]” as the runaway ring tings, pings, zings—and plops into the town-square fountain. Everyone is dismayed, except the frog, who hops into the fountain and retrieves it. The story ends with a kiss—and a surprise. It’s the details in Barton’s comic pencil-and-watercolor illustrations combined with the oh-so-catchy text that put the zing in the tale. Accessories add flair to each character: The chicken wears a pearl necklace; her swain has a red-and-white striped scarf; the swan wears headphones; the dog strums a guitar. The playful type puts bounce in the madcap adventure. A ring-a-ding winner. (Picture book. 4-7)

Pub Date: June 1, 2010

ISBN: 978-0-8037-3311-4

Page Count: 40

Publisher: Dial Books

Review Posted Online: Dec. 27, 2010

Kirkus Reviews Issue: May 1, 2010

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 26, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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