A piquant and fun romp that recounts the misadventures of a beer drinker who proves to be as insightful as he is amusing.
A 20-something Missouri man with a penchant for swilling beer on his lounger experiences an epiphany that turns his life around in this fictionalized memoir.
Selraybob peaks when he plays left tackle for the Waketon champion high school football team. Years later, his wife, Joalene, reads him the riot act, walks out the door, and leaves him sitting in his lounger drinking three quarts of beer a day, reminiscing about those glory high school days. Does he indulge in self-pity as he watches her stride away? Of course not. Instead, Sel (as his friends call him) sees two clocks that differ in time by seven minutes, and this observation becomes the inspiration that drives him from his lounger to reclaim his broken life (“What I decided was this: all we’ve been doing when we tell time, since we started telling time, is counting things. That’s it. We’ve been counting”). That may not seem like much, but to Sel this reflection leads him to obsessively read up on time and to formulate his own intriguing theory, which comprises an Everyman’s argument against the ideas of Einstein and Stephen Hawking and all the sophisticated and complex concepts of modern physics. “Time is a Count,” Sel surmises. In this funny, wise, and poignant account, the author, also named Selraybob (There Is No Now, 2011), deftly describes the protagonist’s bracing journey and captivating cohorts. With the help of his best buddy, Herm, Sel fixes up his old, beloved, broken-down car (“She was still beautiful. Sleek and red. A Corvair. But not just any Corvair….This was a 1964 Monza Convertible. Rear engine. Long, straight lines. Not curvy but not boxy. Lean. And misunderstood. She was called dangerous back in the day”). He wants to hot-rod around town and keep an eye on Joalene; he thinks she is having an affair with Reggie, Herm’s brother, the star quarterback Sel protected back in his football days. As Sel embarks on rollicking escapades while skillfully unraveling the mystery of time, Herm’s beautiful wife gives him some much-needed backup. Written in a distinctive, plain style that calls to mind Mark Twain, this book should touch and entertain readers with its self-deprecating humor and deep perceptions that penetrate to the root of the Midwest American male character.
A piquant and fun romp that recounts the misadventures of a beer drinker who proves to be as insightful as he is amusing.Pub Date: July 1, 2018
ISBN: 978-0-9846156-6-7
Page Count: 210
Publisher: Cur Dog Press
Review Posted Online: June 9, 2018
Kirkus Reviews Issue: July 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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