Protracted but deliciously creepy explorations of the macabre.
In Mavrodi’s (Apocalypse, 2013) first installment of a series, the devil’s own son causes multiple grotesque events.
Fishing alongside his trusty Great Dane, Fedor is having a pleasant time until he witnesses a troubling scene: “He recognized the elusive, infernal posture—the icy, frozen restraint and the stillness of the ghoul who had just risen out of the grave.” Fedor flees his campsite only to return the next day and find that his friendly dog has changed (“the stillness of the dog was unnatural”). Fast-forward to Viktor, a computer programmer going through a rough patch with his wife, Masha. After their apartment is visited by a “grim-looking old man,” Viktor is launched into a state of paranoia, amplified by a Great Dane Masha brings home. He dreams his wife has sex with the dog; afterward, Masha and Viktor engage in lovemaking that leaves Viktor feeling “as if it was not him who made love to his own wife but someone else.” Soon, the previously barren Masha announces she is pregnant. Other characters find themselves in similarly fantastic and unfortunate situations; for example, Igor sells his soul on television and deals with the consequences, and Andrey struggles to survive an unforgiving forest. The stories—interspersed with conversations between Lucifer and his son—contain their share of terror and brutality. Fans of Tales from the Crypt-like fare will find a similar world of the hapless and the morbid, such as a man who sees a note, signed by his wife, which approves the use of his body for necrophilia. The dialogue needs trimming (one character explains, “There’s 10 grand in every pack. Here, hundred euro bills in every pack, 100 euros, 100 bills in a pack, 100 times 100—10,000”), but an overall sense of desperation will rivet readers.
Protracted but deliciously creepy explorations of the macabre.Pub Date: Oct. 9, 2015
ISBN: 978-1-942981-32-9
Page Count: 498
Publisher: W & B Publishers Inc.
Review Posted Online: Nov. 13, 2015
Review Program: Kirkus Indie
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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