by Sergio Pistoi ‧ RELEASE DATE: Oct. 18, 2019
An indispensable resource for understanding the complex world of over-the-counter genetic testing.
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A guide focuses on direct-to-consumer genetics and the genomic social network.
Pistoi (Il DNA Incontra Facebook, 2012) begins this edifying work with an exploration of his own DNA. He fills a test tube with spit and sends it off to 23andme.com, a company that offers direct-to-consumer genetic services. For the price of $99, he will learn about his own genetic profile. The author admits that, as someone who has studied the genetic material of other people for years (he holds a Ph.D. in molecular biology), it feels a bit strange for him to be looking at an analysis of his own. Yet this is the state of present-day technology. Consumers who pay for such a process can join a social network of genetic relatives, discover common ancestors, and even delve into more esoteric topics like the idea of following diets based on their DNA. Of course, this all comes with a price, whether it is the complications of genetic privacy or unscrupulous businesses attempting to cash in on ideas without a lot of scientific backing. In the end, Pistoi warns that, though the technology is thrilling, “genetics is not destiny and DNA is not prophecy.” The manual strikes a highly readable balance between excitement and caution. Although readers initially get more detail about the specifics of the author’s spitting into a tube than they may have bargained for (“My spit tube is only half full and my salivary glands are already dry”), the impressive book explores territory that is both easy to understand and enlightening. From a discussion of alleles (“Each allele is a different flavour of the same gene that exist in a population…we inherit two alleles of each gene and their combination affects our traits”) to describing the ways in which genetic testing can aid law enforcement, topics are underscored with useful information. For instance, on the ever controversial subject of race, Pistoi points out that the concept is generally understood to be a social construct. As the author notes about genetic markers in different populations, “none is found only in one or another, making it impossible to establish any category that is remotely scientifically accurate.” What then, can be gleaned from human DNA? A lot of illuminating things, it turns out, but certainly not everything.
An indispensable resource for understanding the complex world of over-the-counter genetic testing.Pub Date: Oct. 18, 2019
ISBN: 978-1-909979-90-1
Page Count: 262
Publisher: Crux Publishing
Review Posted Online: Dec. 3, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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