by Seth Davis ‧ RELEASE DATE: March 1, 2009
An essential primer for tournament junkies, and ideal reading material for TV timeouts.
Sports Illustrated writer Davis chronicles the 1979 NCAA basketball championship game, which featured two future legends: Earvin “Magic” Johnson and Larry Bird.
The game was a pivotal moment in the development of the sport, leading to an explosion in popularity and a change in the way the game was played and promoted. Davis charts the entire magical season in exhaustive detail, beginning with Bird’s failed attempt to play for legendary curmudgeon Bob Knight at Indiana University before dropping out to work as a garbage collector in his hometown of French Lick, Ind. Fortunately for the basketball world, the über-talented “hick from French Lick” was persuaded to matriculate at Indiana State University, where he led the team to an undefeated record heading into the championship game. Johnson, the charismatic polar opposite of the reticent Bird, brought his unique brand of basketball to Michigan State University—not a perennial dynasty, but a suitable Goliath to ISU’s David. Johnson’s combination of size, deft ball-handling skills and flair for showmanship offered an ideal mix for a sport desperately trying to build a national TV audience. The NCAA had its dream matchup: Johnson’s irrepressible charisma and powerhouse school against the “Great White Hope” and his underdog Sycamores. The game proved to be anticlimactic, with Johnson’s Spartans winning handily and Bird suffering a rare off night. It was a galling loss for the competitive Bird, one that Johnson—now Bird’s friend—still holds over his head. The narrative occasionally bogs down under overly detailed game descriptions, but more often, Davis’s digging pays off in anecdotes both amusing (Bird’s teammates tossing Indiana Sen. Birch Bayh into the showers after the final game of the regular season) and poignant (Bird’s troubled relationship with his daughter).
An essential primer for tournament junkies, and ideal reading material for TV timeouts.Pub Date: March 1, 2009
ISBN: 978-0-8050-8810-6
Page Count: 336
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2008
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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