by Seth Godin ‧ RELEASE DATE: Jan. 1, 2013
Enjoyable, if not particularly enlightening, take on the new economy.
Popular business writer Godin (Whatcha Gonna Do with that Duck?: And Other Provocations, 2006–2012, 2012, etc.) offers a self-help guide to surviving and thriving in the new, postindustrial economy.
“We are all artists now,” writes the author. Making art is not the purview of a select few, but rather a defining act of being human: “Anyone who cares and acts on it is performing art.” Entrepreneurs and freelancers are as much artists as painters or writers. Further, making art is no longer a choice but a necessity. The new connection economy rewards the risk-taker, the rebel, the person who understands that success now lies in “creating ideas that spread and connecting the disconnected....” Yet many are intimidated and fearful of this new world, which has few rules or sure rewards. We have, however, been brainwashed to fear making art. The “ruling class” of the now-waning industrial age taught us “to dream about security and the benefits of compliance.” We are expected to fit in, not stand out, and defying such conformity creates fear and internal resistance. Still, conformity no longer rewards, and the fear we face can be acknowledged while still understanding it as learned behavior. This is a worthy yet not wholly original message—Norman Vincent Peale, Tony Robbins and many others have preached the same self-help mantra. Occasionally, readers may feel they have walked into a movie that’s already started, as explanation too often gives way to appealing aphorisms and banal bromides ripe for Dilbert parody—e.g., “Seek out questions, not answers”; “Who is the self in self-control?”; “shame is a choice.”
Enjoyable, if not particularly enlightening, take on the new economy.Pub Date: Jan. 1, 2013
ISBN: 978-1-59184-607-9
Page Count: 256
Publisher: Portfolio
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Matt Haig ‧ RELEASE DATE: Feb. 23, 2016
A vibrant, encouraging depiction of a sinister disorder.
A British novelist turns to autobiography to report the manifold symptoms and management of his debilitating disease, depression.
Clever author Haig (The Humans, 2013, etc.) writes brief, episodic vignettes, not of a tranquil life but of an existence of unbearable, unsustainable melancholy. Throughout his story, presented in bits frequently less than a page long (e.g., “Things you think during your 1,000th panic attack”), the author considers phases he describes in turn as Falling, Landing, Rising, Living, and, finally, simply Being with spells of depression. Haig lists markers of his unseen disease, including adolescent angst, pain, continual dread, inability to speak, hypochondria, and insomnia. He describes his frequent panic attacks and near-constant anhedonia, the inability to experience pleasure. Haig also assesses the efficacy of neuroscience, yoga, St. John’s wort, exercise, pharmaceuticals, silence, talking, walking, running, staying put, and working up the courage to do even the most seemingly mundane of tasks, like visiting the village store. Best for the author were reading, writing, and the frequent dispensing of kindnesses and love. He acknowledges particularly his debt to his then-girlfriend, now-wife. After nearly 15 years, Haig is doing better. He appreciates being alive and savors the miracle of existence. His writing is infectious though sometimes facile—and grammarians may be upset with the writer’s occasional confusion of the nominative and objective cases of personal pronouns. Less tidy and more eclectic than William Styron’s equally brief, iconic Darkness Visible, Haig’s book provides unobjectionable advice that will offer some help and succor to those who experience depression and other related illnesses. For families and friends of the afflicted, Haig’s book, like Styron’s, will provide understanding and support.
A vibrant, encouraging depiction of a sinister disorder.Pub Date: Feb. 23, 2016
ISBN: 978-0-14-312872-4
Page Count: 272
Publisher: Penguin
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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SEEN & HEARD
Readers Donate Depression Book After Star Suicide
by Peter Lynch & John Rothchild ‧ RELEASE DATE: March 1, 1993
More uncommonly sensible investment guidance from a master of the game. Drawing on his experience at Fidelity's Magellan Fund, a high- profile vehicle he quit at age 46 in 1990 after a spectacularly successful 13-year tenure as managing director, Lynch (One Up on Wall Street, 1988) makes a strong case for common stocks over bonds, CDs, or other forms of debt. In breezy, anecdotal fashion, the author also encourages individuals to go it alone in the market rather than to bank on money managers whose performance seldom justifies their generous compensation. With the caveat that there's as much art as science to picking issues with upside potential, Lynch commends legwork and observation. ``Spending more time at the mall,'' he argues, invariably is a better way to unearth appreciation candidates than relying on technical, timing, or other costly divining services prized by professionals. The author provides detailed briefings on how he researches industries, special situations, and mutual funds. Particularly instructive are his candid discussions of where he went wrong as well as right in his search for undervalued securities. Throughout the genial text, Lynch offers wry, on-target advisories under the rubric of ``Peter's Principles.'' Commenting on the profits that have accrued to those acquiring shares in enterprises privatized by the British government, he notes: ``Whatever the Queen is selling, buy it.'' In praise of corporate parsimony, the author suggests that, ``all else being equal, invest in the company with the fewest photos in the annual report.'' Another bull's-eye for a consummate pro, with appeal for market veterans and rookies alike. (Charts and tabular material— not seen.)
Pub Date: March 1, 1993
ISBN: 0-671-75915-9
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
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