Some of the complications that ensue are predictable, but others are so dark it remains a challenge for the author to retain...
What begins as a lighthearted love story and comedy of manners comes to encompass suicide attempts, mental institutions, death, broken families, legal transgressions and a possible killing.
Greenland's fourth novel (The Angry Buddhist, 2012, etc.) has two protagonists, and the chapters alternate between their first-person accounts. Jeremy Best is a 33-year-old financial lawyer on the fast track to partnership, with a sideline as a published poet under the name Jinx Bell. Spaulding Simonson is a 19-year-old student with a history of mental instability and a passion for poetry. When she walks into Jeremy’s office and lets him know she (somehow) knows he's Jinx, there are immediate sparks between them. He finds her attractive—and then some: “[H]er hair, the burnished gold found on coins and in youth and thereafter in bottles, fell in thick ringlets over her shoulders and down the middle of her back in the manner of a silent movie ingénue.” He thinks she's flirting with him and learns that she's the daughter of his boss, the senior partner who will decide his professional fate, which should be enough to make him steer clear. But if he was able to resist her allure, there wouldn’t be a novel. Spaulding is somehow more mature and less innocent, though she idealizes Jeremy as much as he does her: "Here was someone with a goal and a plan. He had a job where he made money and an art life, too. I wanted to know what he knew." There are other characters (the father, of course, and Jeremy's rivals on the partner track), but they're bit players, with Jeremy and Spaulding sharing the spotlight. He believes, or desperately wants to, that “[h]er soul was as old as the elements.” She sees him as someone who “seemed to have it figured out.”
Some of the complications that ensue are predictable, but others are so dark it remains a challenge for the author to retain his light touch.Pub Date: Feb. 3, 2015
ISBN: 978-1-60945-247-6
Page Count: 256
Publisher: Europa Editions
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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