 
                            by Seth Kantner ‧ RELEASE DATE: June 2, 2008
A majestic, frozen backdrop beautifully thawed by human life.
Inspiring stories of an upbringing in the frosty wilderness.
Employing a pleasant, conversational tone, novelist and outdoor photographer Kantner (Ordinary Wolves, 2004) fondly relates his life in Alaska. His prideful father Howard, an intrepid wanderer, scaled Mount McKinley in the early 1960s. Howard had previously learned the ancient ways of the indigenous Iñupiaq people, which he and wife Erna then translated into the upbringing of Seth and his brother Kole. Kantner testifies to the immense challenges of day-to-day survival in a homemade sod igloo, a structure that was regularly buried by sudden snow squalls, in a climate where “frostbite was a way of life.” The Kantner family subsisted on animals like porcupine and caribou in its entirety: “pot roast, tongue, tenderloins, lips and leg bones, rendered back and intestine fat.” They wore mukluks and wrapped themselves in hides to stay warm as they drank melted snow and welcomed stray visitors to their free-range “bush life.” Throughout their youth, Seth and Kole experienced “low stone walls of racism” from nearby Eskimo villagers because of their white skin. As they matured into young men, the brothers hunted, ice-fished and trapped otter together, though the gap between their personal interests eventually pried them apart. Kole went on to study physics; Seth romanced his wife-to-be in their igloo, quit college, then later gravitated to the exacting art of nature photographs, many of which fill this book with breathtaking splendor. Later chapters find the author and spouse Stacey enjoying adventures on the Alaskan tundra, including varied moose dramas and driving daughter China to kindergarten in 30-degree-below-zero weather. Now in his late 40s, the author advocates for the preservation of the Alaskan tundra, increasingly gentrified by big-fisted politics and “heaped and flippant wealth.”
A majestic, frozen backdrop beautifully thawed by human life.Pub Date: June 2, 2008
ISBN: 978-1-57131-301-0
Page Count: 256
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2008
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by Seth Kantner ; photographed by Seth Kantner
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                            by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
 
                            by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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