An exciting translation of a feminist novel that renders a nuanced picture of the conflicting ideologies of 1970s Turkey.
A family dinner party in Adana, Turkey, is interrupted by a police raid, thrusting the lives of all involved into disarray.
This autobiographical novel first published in Turkish in 1975 is divided into three parts. The first section, “The Raid,” describes a dinner party hosted by Ali of Maraş. Ali’s wife, Gülşah, bustles around the kitchen to prepare a fulsome dinner, aided half-heartedly by her sister, Ziynet. Around the dining table are Ali’s two nephews, Hüseyin and Mustafa, who have fought their way out of their working-class backgrounds with their family’s support and become, respectively, a lawyer and a teacher. They are joined by Ziynet’s quiet husband, Zekeriya, and Oya—the sole outsider to the family—a journalist recently released from prison who was invited to dinner by Hüseyin on a whim. Family tensions fueled by political disagreement bubble and almost erupt but are arrested by a raid initiated by rumors that the dinner is a meeting of anarchists. The novel’s second part, “The Interrogation,” follows the attendees of the dinner party who are arrested during the raid. We spend the most time with Oya, who remembers the other women detained with her during her previous stint in prison. The novel also offers glimpses into the psyches of the captors and interrogators. The final section, “Dawn,” describes the consequences of the raid on the morning after. The novel shifts seamlessly between perspectives. The result is a complex portrait of 1970s Turkey that critiques the senseless violence inflicted by autocratic bureaucracy, with attention to the overlapping injustices of class, ethnicity, and gender that pervade and extend beyond the regime. Startling reflections on beauty and freedom are woven throughout.
An exciting translation of a feminist novel that renders a nuanced picture of the conflicting ideologies of 1970s Turkey.Pub Date: Nov. 15, 2022
ISBN: 978-1953861-38-2
Page Count: 350
Publisher: Archipelago
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A stunning feat of storytelling and moral clarity.
An Irishman uncovers abuse at a Magdalen laundry in this compact and gripping novel.
As Christmas approaches in the winter of 1985, Bill Furlong finds himself increasingly troubled by a sense of dissatisfaction. A coal and timber merchant living in New Ross, Ireland, he should be happy with his life: He is happily married and the father of five bright daughters, and he runs a successful business. But the scars of his childhood linger: His mother gave birth to him while still a teenager, and he never knew his father. Now, as he approaches middle age, Furlong wonders, “What was it all for?…Might things never change or develop into something else, or new?” But a series of troubling encounters at the local convent, which also functions as a “training school for girls” and laundry business, disrupts Furlong’s sedate life. Readers familiar with the history of Ireland’s Magdalen laundries, institutions in which women were incarcerated and often died, will immediately recognize the circumstances of the desperate women trapped in New Ross’ convent, but Furlong does not immediately understand what he has witnessed. Keegan, a prizewinning Irish short story writer, says a great deal in very few words to extraordinary effect in this short novel. Despite the brevity of the text, Furlong’s emotional state is fully rendered and deeply affecting. Keegan also carefully crafts a web of complicity around the convent’s activities that is believably mundane and all the more chilling for it. The Magdalen laundries, this novel implicitly argues, survived not only due to the cruelty of the people who ran them, but also because of the fear and selfishness of those who were willing to look aside because complicity was easier than resistance.
A stunning feat of storytelling and moral clarity.Pub Date: Nov. 30, 2021
ISBN: 978-0-8021-5874-1
Page Count: 128
Publisher: Grove
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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