by Shana Corey and illustrated by Edwin Fotheringham ‧ RELEASE DATE: April 1, 2009
Little has been written about Annette Kellerman, the founder of water ballet and modernizer of the female swimsuit; Corey’s lively descriptions and powerful phrasing successfully fill this niche. Despite the societal restraints placed on women in the early 1900s, Kellerman became an accomplished Australian athlete and attempted to swim the English Channel. Combining athletic feats with artistic symmetry, she promoted her sport to girls abroad. She eventually revolutionized contemporary swimwear, though she faced criticism and even arrest for wearing her swimsuit, viewed as too risqué for American tastes. Text and art blend in their celebration of this spirited athlete. Typography varies to enhance emphasis: “Annette Kellerman loved to make waves [this last in swoopy script],” and dramatic quotations pepper the dynamic text. Digitally rendered art depicts Kellerman as a strong but feminine competitor; dark outlines display her graceful arms outstretched to greet her audience. Fotheringham’s bold, spiraling patterns resemble crashing water; both fiery and cool colors pay homage to this vibrant woman and her sport. (author’s, source notes) (Picture book/biography. 5-9)
Pub Date: April 1, 2009
ISBN: 978-0-439-69835-1
Page Count: 48
Publisher: Scholastic
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 2009
Categories: CHILDREN'S ENTERTAINMENT & SPORTS
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More by Shana Corey
BOOK REVIEW
by Shana Corey ; illustrated by R. Gregory Christie
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by Shana Corey ; illustrated by Red Nose Studio
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by Shana Corey and illustrated by Will Terry
by Misty Copeland ; illustrated by Setor Fiadzigbey ‧ RELEASE DATE: Sept. 29, 2020
A young ballerina takes on her first starring role.
Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-399-54764-5
Page Count: 32
Publisher: Putnam
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Categories: CHILDREN'S ENTERTAINMENT & SPORTS | CHILDREN'S SOCIAL THEMES
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More by Misty Copeland
BOOK REVIEW
by Misty Copeland with Brandy Colbert
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by Misty Copeland ; illustrated by Christopher Myers
by Emily Kilgore ; illustrated by Zoe Persico ‧ RELEASE DATE: Aug. 25, 2020
Worrier Cora is plagued by the Whatifs until she learns a new way to tackle her anxieties.
Cora has a problem reminiscent of Shel Silverstein’s poem “Whatif.” As she goes about her days, the Whatifs clamor for her attention. These embodied worries are presented as needling little monsters that range from silly and annoying to frightening. They become especially distracting in the lead-up to her big piano recital. Despite all her preparation, the Whatifs latch on and won’t let go. Just before her big performance, though, an older girl notices Cora’s distress. Stella encourages turning around the Whatif worries, a tactic drawn straight out of the cognitive behavioral therapy playbook. By reframing and pondering alternative and optimistic Whatifs, Cora is able to tackle her anxiety and succeed. Both Cora and Stella have dark hair and eyes and peachy complexions; Cora’s classmates and community appear fairly diverse. Cora and her Whatifs have a charming appeal beyond their focus on tackling anxious thoughts, making an enjoyable read-aloud for wide audiences. In her author’s note, Kilgore describes her own anxiety disorder. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 51% of actual size.)
A thoroughly welcome addition to growing collections of socio-emotional development materials. (Picture book. 5-8)Pub Date: Aug. 25, 2020
ISBN: 978-1-4998-1029-5
Page Count: 40
Publisher: Little Bee
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
Categories: CHILDREN'S ENTERTAINMENT & SPORTS | CHILDREN'S SOCIAL THEMES
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