Overwrought, overdramatic, overwritten, underedited.
A husband's twin brother and his wife's best friend will go to any lengths to break up the couple.
Debut author Allison presents a melodrama that he can't quite write his way out of. From seven points of view, the reader learns the story of Bree, who was once a stripper and is now a well-to-do doctor’s wife. It's revealed early on that a few years before, Bree slept with her husband’s twin, Deanthony, who then moved to California to start his acting career. Back in Tallahassee, Deanthony initiates a plot to get her back with the help of Bree’s BFF, Tangela, who has been in love with Bree’s husband, Kashawn, since the night he and Bree met. It all goes downhill from there. The plot has good bones for a family drama, but the execution leaves much to be desired. For one thing, it's hard to tell if Allison actually knows any women. Beyond the references to 9- and 11-inch heels worn in circumstances far away from a stripper pole, three of the four female narrators—Bree; Mama Liz, her mother-in-law; and Kateisha, a stripper who hates Bree—have rape back stories, while the fourth, Tangela, perpetuates multiple acts of horrendous violence. One of the women with rape in her history rapes someone else as part of the plot, and Allison doesn't refer to it as rape, ever. Beyond these choices, the uneven writing, which is sometimes over-the-top and sometimes not elaborate enough, particularly when there's dialogue, is far too distracting to let the reader enjoy the dramatics.
Overwrought, overdramatic, overwritten, underedited.Pub Date: July 19, 2016
ISBN: 978-1-59309-638-0
Page Count: 320
Publisher: Strebor/Simon & Schuster
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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